This session will present recent results of the Analysis/Synthesis team. The session will start with a short presentation of the new features of the Version 1.3.0 of the Ircam Singing Synthesis Software ISiS and will continue with more pros

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The goal of this residency is to propose a gestural control of Artificial Intelligence models in real-time scenarios. The idea is to develop a dedicated control interface (hardware and software) in order to offer novel and innovative ways o

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The S3AM team exposes its current research axes, and presents the recent software developments of Modalys - version 3.7, real time and 3D LUA language - and The Snail - version 1.4, as well as an embedded prototype under Raspberry PI for th

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After a quick overview of the new features of MuBu for Max, we will present the SO(a)P project which aims to facilitate communication between Max and the soundworks framework, which is the basis of the ISMM team's JavaScript developments.

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Cette présentation sera l’occasion de revenir sur quelques nouveautés de la dernière version Max 8.2 et de montrer quelques travaux en cours.

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SKataRT corpus SOL, DJ and Modalys are 3 corpus of sound ready to be played in SKataRT. During this session, we will explain how they were made and show different ways to play them in Ableton Live.

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The recent methodological and technological developments of the Sound Perception and Design team will be briefely contextualized and put in perspective of the current research activities of the team. Among these new developments, a focus wi

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This presentation presents two software developments, Partiels and ASAP. Partiels is an application for the analysis of digital audio files intended for researchers in signal processing, musicologists, composers, and sound designers. It

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CoMo Vox est une application Web réalisée en partenariat avec Radio France, destinée aux novices qui souhaitent apprendre les éléments de bases des gestes de direction (aucune connaissance musicale préalable n’est réquise). L'application pe

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Here we demonstrate newly composed music, a real-time controller, and data acquisition system for the project EAR Stretch. EAR Stretch aims to improve Contemporary Music reception in non-expert audiences by enhancing embodied temporal expec

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This presentation outlines a new project that offers a novel methodology for the development of new styles of acoustically optimised auditoria and room shape based on biometric sensing and evolutionary computation. The work is based on e

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The composition is a comment to Karim Haddad’s String Trio "And I have tried to keep them from falling" (2001)"I would prefer a small mountain temple" is written between 2018 and 2021. Both titles refer to Ezra Pound’s (185-1972) poem Canto

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Corpos sonoros is a long-term research project proposed by Thembi Rosa and João Tragtenberg to work with sound-movement interactions using Giromin, a IMU based wearable Digital Dance and Music Instrument. It is an open space for the develop

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Since the re-launch of the IRCAM Forum platform in 2019, a lot of improvements has been done to ensure that the users can manage their own projects, contents and discussions. The current features will be presented as well as the roadmap foc

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My research is focused around listening to electromagnetic energy in everyday urban environments through sound walks whilst capturing these experiences through the use of multichannel sensing and recording devices or ‘assemblages’ and 360 v

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During the past year, our industry has witnessed an accelerated democratization of several technologies that enable the creation and distribution of audio and music content in new immersive audio formats - now supported in popular streaming

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Asterisms is a form of participatory concert, without a traditional frontal stage, making it possible to develop the active listening of the public by placing them at the center of the experience. The project is based on a distributed sound

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The presentation will discuss ongoing work implementing various AI-based techniques in om# and OpenMusic, for use in musical composition workflows. Human creativity is ill-defined by nature. Achieving "those right kinds of errors" may p

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Sasha Wilde, Nicole Bettencourt Coelho and Yuki Nakayama are a trio of sound nerds who met last year and began bringing their various skills and practices together to form an experimental audio band. They employ wearable gestural technologi

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A System for the Synchronous Emergence of Music Derived from Movement is an immersive audio and visual work whose purpose is to define and explore a relationship between the movement of an artist’s hand (brush or pen, etc.) and a generative

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I propose AI system called Neural Ordinary Differential Equations (NODE) for sound synthesis. My method provides a simple and intuitive way to construct new sound objects and new type of sound synthesis by manipulating matrixes of maps. Dif

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The Autocoder package is a tool based around a variational autoencoder––a neural network capable of learning a spectral representation of a soundfile and synthesizing a novel output based on the trained model. A spectral representation i

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How can rich spatial data from acoustic instruments be applied to situate synthesized sound spatially with dynamic three-dimensional forms? How can machine learning be used to re-embody the spatial presence of live instruments and performer

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During the past year, our industry has witnessed an accelerated democratization of several technologies that enable the creation and distribution of audio and music content in new immersive audio formats - now supported in popular streaming

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As part of its mission of research and experimentation on Baschet instrument making, the Structures Sonores Baschet association is developing a partnership with IRCAM through the use of two tools: The Snail and Modalys. During the IRCAM

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This session will explore the latest advancements of SPAT Revolution including the addition of Waves Field Synthesis (WFS) as a spatial reproduction option, a new efficiency zone calculated on speaker arrangements together with new workflow

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This session will explore the latest advancements of SPAT Revolution including the addition of Waves Field Synthesis (WFS) as a spatial reproduction option, a new efficiency zone calculated on speaker arrangements together with new workflow

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We demonstrate a camera-based gesture recognition system that enables individual and collaborative control of virtual drums aiming at co-located or distributed collaborative music making. Our presentation highlights three features of this w

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