Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?1914 works out of 49591
- Hochzeitsvorbereitungen Secular cantata (2000, 2002, 2005), 55 mn, Le Chant du Monde / Oscar Strasnoy
- Hölderlin-Fragmente second version, for voice and orchestra (1977), 10 mn, Universal Edition / Wolfgang Rihm
- Hommage à François Villon for mixed choir and instrumental ensemble (1998), 15 mn, Papillon - Geneve [program note] / Xavier Dayer
- Homme Hors Temps for soprano, tenor and ensemble (2017), BabelScores / Pedro García-Velásquez
- Hör prologue for the Requiem de la réconciliation, for choir and orchestra (1995), 5 mn, Universal Edition / Luciano Berio
- How Slow the Wind for voice and orchestra (2001), 8 mn, Boosey & Hawkes [program note] / Osvaldo Golijov
- How Soon? for choir and ensemble (2011), 13 mn, St. Rose Music Publishing / Nico Muhly
- Huldre-gaverne (Fragment) for reciter, mixed choir and ensemble (), 15 mn, Wilhelm Hansen / Per Nørgård
- Humeurs du Futur quotidien for two reciters and chamber orchestra (1978), 15 mn, Suvini Zerboni / Henri Pousseur
- stage Hydrogen Jukebox chamber opera for soloists and ensemble, collaboration with Allen Ginsberg and Jerome Sirli (1990), 1 h 30 mn, Dunvagen Music Publishers / Philip Glass
- Hymn of Dawn for soprano, baritone, violin, flute and ensemble (2002), 1 h 10 mn, Chester Music / Sir John Tavener
- Hymne an den heiligen Daniel Slawa swjatamu dlinnju knazju moskowskamu, for mixed choir and orchestra (1997), 14 mn, Schott / Krzysztof Penderecki
- Hymnkus for any solo from or combination of voice and ensemble (1986), 30 mn, Peters / John Cage
- elec stage Hyperion poetry in the form of a show (1964), 53 mn, Suvini Zerboni / Bruno Maderna
- Hyperion version of Dimensioni III with cadence for piccolo and Aria (1966), variable, Suvini Zerboni / Bruno Maderna
- elec stage Hyperion - Orfeo dolente musical drama (1968), 53 mn, Suvini Zerboni / Bruno Maderna
- elec stage Hyperion en het geweld musical drama (1968) / Bruno Maderna
- elec I Drink the Air Before Me for children's choir, ensemble and playback tape (2009), 59 mn, St. Rose Music Publishing / Nico Muhly
- i feel tired for vocal quintet and ensemble (2018), 4 mn / James Alexandropoulos-McEwan
- I nalt be clode on the frolt for soprano and ensemble (2018), 10 mn / Mikel Urquiza
- stage I Was Looking at the Ceiling and Then I Saw the Sky "Songplay", in two acts (1995), 1 h 20 mn, Boosey & Hawkes / John Adams
- I'm Stealing the Room for solo voices, choir and orchestra (1969), 5 mn about , Munchkin Music / Frank Zappa
- elec ICH und ICH for soprano, ensemble and CD (2010), 16 mn, Breitkopf & Härtel / Nicolaus A. Huber
- Ient for female voice and twelve musicians (2011), 13 mn, Suvini Zerboni [program note] / Nicolas Tzortzis
- If your Majesty will only tell me the right way to begin for two narrators and orchestra (2012), 14 mn, Ricordi / Daniele Ghisi
- II Symfonia (Symfonia pieśni) for soprano, baritone, mixed choir and orchestra (1953), 23 mn about , PWM (Polskie Wydawnictwo Muzyczne) / Kazimierz Serocki
- II2 Schumann-Moment Re-Visionen II, for voices (or wind intruments), harp and percussion (1989), 2 mn, Schott / Dieter Schnebel
- Ikon of the Crucifixion for solo voices, mixed choir and ensemble (1988), 11 mn, Chester Music / Sir John Tavener
- Il canto s'attrista, perché? scene after Aeschylus (2018-2019), 1 h 20 mn, RAI.COM / Salvatore Sciarrino
- stage Il carro e i canti one act opera (2008), 50 mn, Suvini Zerboni / Alessandro Solbiati
- Il Dio narrante monologue for narrator, percussion and piano (1996), 8 mn 30 s, Suvini Zerboni / Alessandro Solbiati
- Il gigante golia for soprano and orchestra (1990, 1975), 10 mn, Salabert / Georges Aperghis
- stage Il gioco dei mostri fantastic opera in two acts, composed with Lucio Gregoretti (1999), 60 mn, Suvini Zerboni / Nicola Sani
- stage Il Medico dei Pazzi Neapolitan musical action (2014), 1 h 30 mn, Ricordi / Giorgio Battistelli
- stage Il Prigioniero Opera in a prologue and an act (1944-1948), 50 mn, Suvini Zerboni / Luigi Dallapiccola
- stage Il Re Cervo oder Die Irrfahrten der Wahrheit opera in three acts, reduced version of König Hirsch (1962), 2 h 30 mn, Schott / Hans Werner Henze
- stage Il Re Teodoro in Venezia opera by Giovanni Paisello (1784), new orchestration and new recitatives by Hans Werner Henze and David Paul Graham, stage adaptation by Lorenzo Mariani (1991-1992), 2 h 30 mn, Schott / Hans Werner Henze
- stage Il ritorno d'Ulisse in patria free reconstruction of the opera by Claudio Monteverdi (1641) (1981), 3 h, Schott / Hans Werner Henze
- Illuminations for soprano and ensemble (1985), 20 mn, Universal Edition / Beat Furrer
- elec stage Illusion for two actors, two voices, piccolo, clarinet, cello, ensemble and electronics (2006), 60 mn, Peters / Roger Reynolds
- Im Fall for mezzo-soprano and ensemble (2017), 30 mn, Breitkopf & Härtel / Isabel Mundry
- elec stage Im Paradies oder der Alte vom Berge five schematic opera acts on a large orchestra (1973-1975), 1 h 30 mn, Inédit / Klaus Huber
- IMA for solo voices, mixed choir and orchestra (2002), 27 mn 13 s, Schott / Peter Eötvös
- elec Impressions, mouvements oratorio for narrator, choir and orchestra (1989), 42 mn, Jobert / Marc-André Dalbavie
- Impromptu for women's choir and orchestra (1910), 7 mn, Breitkopf & Härtel / Jean Sibelius
- Improvisation II sur Mallarmé Une dentelle s'abolit, for soprano and nine instruments (1957), 12 mn, Universal Edition [program note] / Pierre Boulez
- In Ajimano for voice, koto, cello, and chamber orchestra (2001), 12 mn, Schott / Toshio Hosokawa
- elec In Alium for soprano, ensemble and tape (1968), 14 mn, Chester Music / Sir John Tavener
- In Sleep, in Thunder six poems by Robert Lowell, for tenor and ensemble (1981), 21 mn, Boosey & Hawkes [program note] / Elliott Carter
- elec In the Country of Last Things 2 for mezzo-soprano, narrator and ensemble, from Surrogate Cities (1993-1994), 5 mn, Ricordi / Heiner Goebbels