Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?4024 works out of 49590
- The Brown Girl for voice and orchestra (2013), 6 mn, St. Rose Music Publishing / Nico Muhly
- The Burghers of Rostock for voice and piano (1992) / Frederic Rzewski
- stage The Burning Fiery Furnace second Parable for church performance (1966), 1 h 4 mn, Faber Music / Benjamin Britten
- The Cage for medium voice and piano (1906), 60 s, Peer International Corporation / Charles Ives
- The Camp Meeting for deep voice and piano, taken from Symphony No. 3 (1901-1912), 3 mn, Peer International Corporation / Charles Ives
- stage The Cappemakers opera for ten soloists, two narrators, male chorus and ensemble (1964), 30 mn, Chester Music / Sir John Tavener
- elec stage The Cave three-act documentary video opera in collaboration with videographer Beryl Korot (1993), 2 h 22 mn, Boosey & Hawkes / Steve Reich
- elec The Cave Four Genesis Settings, for voices, ensemble and sampler (2013), 11 mn, Boosey & Hawkes / Steve Reich
- elec stage The Cenci musical theater after Antonin Artaud (1997), 1 h 20 mn, Ricordi / Giorgio Battistelli
- The Children's Hour for medium voice and piano (1912-1913), 2 mn, Merion Music / Charles Ives
- elec The Church of Frequency & Protein for voice, trumpet, trombone, 2 percussion, piano, guitar, cello and DVD (2010), 52 mn / Jennifer Walshe
- The Circus Band for medium voice and piano (1894-1899), 2 mn, Peer International Corporation / Charles Ives
- The City of Dis or: The Ship of Fools for solo voices, choir and ensemble (2007), 21 mn, Boosey & Hawkes / Louis Andriessen
- stage the CIVIL warS - Cologne A tree is best measured when it is down (1984), 28 mn, Dunvagen Music Publishers / Philip Glass
- stage the CIVIL warS - Rome A tree is best measured when it is down. Act V - Rome section (1983), 2 h, Dunvagen Music Publishers / Philip Glass
- stage The Collected Works of Billy the Kid chamber opera in one act (2017-2018), 60 mn, Schott / Gavin Bryars
- The Collection for medium voice and piano (or organ?), with "Response by the Village Choir" (1920), 2 mn 30 s, Peer International Corporation / Charles Ives
- The Coming of the Day for voice and piano (1898) / Charles Ives
- The Death of Ivan Ilyich for bass baritone, cello and ensemble (2012), 25 mn, Chester Music / Sir John Tavener
- elec stage The Death of Klinghoffer opera in two acts (1990-1991), 2 h 20 mn, Boosey & Hawkes / John Adams
- The Death’s Jests’ Book three Lieder for female voice and orchestra (2004), 15 mn, Inédit / Daniele Ghisi
- elec The Desert Music chamber version (1984), 46 mn, Boosey & Hawkes [program note] / Steve Reich
- elec The Desert Music for choir and orchestra (1982-1984), 46 mn, Boosey & Hawkes [program note] / Steve Reich
- The Dissembler monologue for baritone and ensemble (1978), 20 mn, Bärenreiter / Ernst Krenek
- The Distance (This) for soprano and ensemble (2008), Majolika / Jason Eckardt
- stage The Doctor of Myddfai opera in two acts (1995), 1 h 35 mn, Boosey & Hawkes / Sir Peter Maxwell Davies
- The Doctrine of Similarity for choir and instruments (1999-2000), 19 mn, Peters [program note] / Brian Ferneyhough
- The Donkey for voice and piano (1946), Theodore Presser / Henry Cowell
- The Dream-Bridge for voice and piano (1915) / Henry Cowell
- elec stage The Embalmer playful chamber monodrama (2001-2002), 1 h 10 mn, Ricordi / Giorgio Battistelli
- stage The Emperor of Ice Cream for voices, percussion, piano and double bass (1974, 1961-1962), 16 mn, Peters / Roger Reynolds
- The Ending Year for deep voice and piano (1898-1902), 2 mn 30 s, Associated Music Publishers / Charles Ives
- stage The English Cat - Die englische Katze story for singers and instruments (1980-1983), 1 h 10 mn, Schott / Hans Werner Henze
- stage The Exterminating Angel opera in three acts (2015-2016), 1 h 55 mn, Faber Music / Thomas Adès
- The Fable of the Redwoods for voice and piano (1952), 4 mn, Schirmer / George Antheil
- The Faire Starre for choir and ensemble (2018), 20 mn, Chester Music / Nico Muhly
- stage The Fall of the House of Usher opera in two acts for soloists and ensemble (1987), 1 h 30 mn, Dunvagen Music Publishers / Philip Glass
- stage The Fashion worldly opera in twelve scenes (2007), 1 h 30 mn, Ricordi / Giorgio Battistelli
- stage The First Emperor opera in three acts (2006), 2 h 35 mn, Schirmer / Tan Dun
- stage The Flood musical play (1961-1962), 24 mn, Boosey & Hawkes / Igor Stravinsky
- The forest of frost for female voice, flute, accordion and percussion (1996-1997), 27 mn / Klaus Lang
- The Garden Memento for countertenor, percussion and piano (2006), 8 mn, Bärenreiter / Matthias Pintscher
- The Geography of Heaven for choir, two harmoniums, two pianos and strings (1935), Inédit / Lou Harrison
- elec stage The Geometry opera for 4 actors, voice, clarinet, guitar and live electronics (2009), 60 mn / Jennifer Walshe
- stage The Gold-Bug opera (2017), 1 h 10 mn, Ricordi / Dai Fujikura
- The Golden Rule for choir and orchestra (2005), 15 mn, Boosey & Hawkes / Sir Peter Maxwell Davies
- stage The Gospel According to the Other Mary Passion Oratorio in two acts for orchestra, choir and soloists (2012), 2 h, Boosey & Hawkes / John Adams
- The Greatest Man for medium voice and piano (1921), 1 mn 30 s, Associated Music Publishers [program note] / Charles Ives
- elec The Horatian - Three songs version for mezzo-soprano and ensemble, taken from Surrogate Cities (1994-1999), 15 mn, Ricordi / Heiner Goebbels
- The Housatonic at Stockbridge from The Housatonic at Stockbridge for medium voice and piano (1908-1914), 3 mn 30 s, Peer International Corporation [program note] / Charles Ives