Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?4024 works out of 49591
- Homing for voice, clarinet, accordion, harp, percussion and double bass (2016-2017), 15 mn / José Manuel López López
- Hommage à Comenius for voice duo and symphony orchestra (1964), 16 mn, Eschig / Darius Milhaud
- Hommage à François Villon for mixed choir and instrumental ensemble (1998), 15 mn, Papillon - Geneve [program note] / Xavier Dayer
- Hommage à Klaus Nomi four songs for countertenor and small ensemble, re-orchestrated and arranged (1998), 16 mn, Ricordi / Olga Neuwirth
- Hommage à Nadia Boulanger for soprano, three violas, clarinet, percussion and zither (1967), Inédit / Henri Dutilleux
- Hommage et profanations for mezzo-soprano and ensemble (1992), 10 mn, Ricordi / Arnaud Petit
- Homme Hors Temps for soprano, tenor and ensemble (2017), BabelScores / Pedro García-Velásquez
- Hör prologue for the Requiem de la réconciliation, for choir and orchestra (1995), 5 mn, Universal Edition / Luciano Berio
- Höre, Israel for voice and piano (1969), Inédit / Paul Dessau
- Horst-Dussel-Lied for voice and piano (1943), Inédit / Paul Dessau
- Hour of the Soul poem for large wind orchestra and mezzo-soprano (1974), 21 mn, Sikorski / Sofia Goubaïdoulina
- Hour of the Soul (Percussio di Pekarski) for percussion, mezzo-soprano and large orchestra (1976), 30 mn, Sikorski / Sofia Goubaïdoulina
- How Old Is Song? for voice and piano (1931) / Henry Cowell
- How slow two songs and epilogue for soprano, harp, double bass, percussion and dancer (2008), 12 mn / Sarah Nemtsov
- How Slow the Wind for voice and orchestra (2001), 8 mn, Boosey & Hawkes [program note] / Osvaldo Golijov
- How Soon? for choir and ensemble (2011), 13 mn, St. Rose Music Publishing / Nico Muhly
- Hubschrauber for voice and orchestra (2001-2002), 25 mn, Thürmchen Verlag / Carola Bauckholt
- Huit Mélodies for voice and piano (1910), Breitkopf & Härtel / Jean Sibelius
- Huit Mélodies for voice and piano (1909) / Jean Sibelius
- Huldre-gaverne (Fragment) for reciter, mixed choir and ensemble (), 15 mn, Wilhelm Hansen / Per Nørgård
- Humeurs du Futur quotidien for two reciters and chamber orchestra (1978), 15 mn, Suvini Zerboni / Henri Pousseur
- Hums and Songs of Winnie-the-Pooh for soprano and ensemble (1970-1983), 13 mn, Faber Music / Oliver Knussen
- Husarenlied for voice and piano (1876) / Richard Strauss
- HWANG-TO / Yellow Earth for mixed choir and 9 instrumentalists (1989), 16 mn, Ricordi / Younghi Pagh-Paan
- stage Hydrogen Jukebox chamber opera for soloists and ensemble, collaboration with Allen Ginsberg and Jerome Sirli (1990), 1 h 30 mn, Dunvagen Music Publishers / Philip Glass
- HYENA for voice and ensemble (2016), 1 h 4 mn, Ricordi Berlin / Georg Friedrich Haas
- Hymn for medium voice and piano (1904-1921), 2 mn, Merion Music [program note] / Charles Ives
- Hymn for four-part mixed choir and orchestra (1979), 21 mn, Faber Music / Jonathan Harvey
- Hymn of Dawn for soprano, baritone, violin, flute and ensemble (2002), 1 h 10 mn, Chester Music / Sir John Tavener
- Hymn of Trust for medium voice and piano or organ (1897-1898), 3 mn 30 s, Associated Music Publishers [program note] / Charles Ives
- Hymne an den heiligen Adalbert for mixed choir and ensemble (1997), 5 mn, Schott / Krzysztof Penderecki
- Hymne an den heiligen Daniel Slawa swjatamu dlinnju knazju moskowskamu, for mixed choir and orchestra (1997), 14 mn, Schott / Krzysztof Penderecki
- Hymne an die Liebe, op. 71 for soprano and orchestra (1921), 10 mn, Boosey & Hawkes / Richard Strauss
- Hymnkus for any solo from or combination of voice and ensemble (1986), 30 mn, Peters / John Cage
- Hymnus, op. 33 for mezzo-soprano (or baritone) and orchestra (1896-1897), 5 mn, Boosey & Hawkes / Richard Strauss
- Hyper Exit - Exodus version for clarinet, mixed choir and orchestra (2015-2022), 5 mn, Faber Music / Anders Hillborg
- elec stage Hyperion poetry in the form of a show (1964), 53 mn, Suvini Zerboni / Bruno Maderna
- Hyperion version of Dimensioni III with cadence for piccolo and Aria (1966), variable, Suvini Zerboni / Bruno Maderna
- elec stage Hyperion - Orfeo dolente musical drama (1968), 53 mn, Suvini Zerboni / Bruno Maderna
- elec stage Hyperion en het geweld musical drama (1968) / Bruno Maderna
- elec ircam stage Hypermusic Prologue A projective opera in seven planes, chamber opera for two voices, eight intrumentalists and electronics (2008-2009), 60 mn, Editorial Tritó [program note] / Hèctor Parra Esteve
- I don't know for solo voice and piano (1986) / Meredith Monk
- elec I Drink the Air Before Me for children's choir, ensemble and playback tape (2009), 59 mn, St. Rose Music Publishing / Nico Muhly
- i feel tired for vocal quintet and ensemble (2018), 4 mn / James Alexandropoulos-McEwan
- elec I have heard it said that a spirit enters for contralto jazz voice and orchestra (2002), 4 mn, Schott / Gavin Bryars
- I knew and loved a maid for deep voice and piano (1898-1899), 2 mn, Associated Music Publishers [program note] / Charles Ives
- I listened to the Wind Again for soprano, clarinet, string trio and percussion (2016-2017), 45 mn / Jürg Frey
- I nalt be clode on the frolt for soprano and ensemble (2018), 10 mn / Mikel Urquiza
- I Sonetti Lussuriosi for soprano and orchestra (2007), 30 mn, Chester Music / Michael Nyman
- I Sonetti Lussuriosi for soprano and orchestra (2007), 30 mn, Chester Music / Michael Nyman