Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?2099 works out of 46437
- Tapetenblume for mezzo-soprano, violin, viola, cello, oboe, clarinet and bassoon (2003) / Birke J. Bertelsmeier
- Tara portrait d'Artaud I, for bass-baritone, flute, four percussionists, celesta and double bass (2012), Éditions musicales Artchipel / François Meïmoun
- Tarkhna – Etruskische Räume for two reciters, two solo female voices, vocal ensemble, two percussionists and wind instruments (2006-2007), 32 mn / Marta Gentilucci
- Tarot pérégrin for bass voice and six instrumentalists (1993), 25 mn / Henri Pousseur
- stage Tarquin two-part chamber opera (1940), Universal Edition / Ernst Krenek
- Taste for soprano and ensemble (1992), 10 mn about , Inédit [program note] / Isabel Mundry
- Te espera esa Chispa for mixed choir and ensemble (1982), 10 mn, Inédit / Javier Alvarez
- Te Lucis ante Terminum (before the ending of the light we beseech thee) for choir and ensemble (1961), 11 mn, Schott / Sir Peter Maxwell Davies
- Tears flow again for voice, flute, harp, violin, viola and cello (2019), 16 mn, Lemoine / Jérôme Combier
- elec Tehillim version for voices and ensemble (1981), 30 mn, Boosey & Hawkes [program note] / Steve Reich
- TemA for flute, voice and cello (1968), 14 mn, Breitkopf & Härtel / Helmut Lachenmann
- elec stage Temboctou for solo voices, choir, ensemble and tape (1981), 2 h 30 mn, Inédit / François-Bernard Mâche
- Tempo der Zeit for contralto, bass, narrator, mixed choir, wind instruments and percussion (1929), 20 mn, Universal Edition / Hanns Eisler
- Tempo e Tempi for soprano and ensemble (1998-1999), 15 mn, Boosey & Hawkes [program note] / Elliott Carter
- Temps d'absence for contralto, flute, clarinet, harp and cello (2012), Éditions musicales Artchipel / François Meïmoun
- Temp’est for female voice and ensemble (1994), 25 mn, Peters / James Dillon
- Tenebrae for soprano, clarinet and string quartet (2002), 12 mn, Boosey & Hawkes [program note] / Osvaldo Golijov
- elec ircam Tenebrae for six voices, ensemble and electronics (2012-2013), 28 mn, Durand [program note] / Alberto Posadas
- Tenebrae super Gesualdo motet for mezzo-soprano and ensemble (1972), 20 mn, Chester Music / Sir Peter Maxwell Davies
- Tenebrae super Gesualdo motet for choir and ensemble (1972), 20 mn, Chester Music / Sir Peter Maxwell Davies
- stage Teorema parable in music, in two acts (1991-1992), 1 h 10 mn, Ricordi / Giorgio Battistelli
- Terrible for voice, three trumpets, electric guitar, electric bass and percussion (1982) / Iris ter Schiphorst
- Tessera kommatia gia to Dekemvri tou 1944 for voice, violin and piano (1944) / Mikis Theodorakis
- Têtes for male soloist voice (baritone singer, narrator and actor) and ensemble (2017), 35 mn, Breitkopf & Härtel / Misato Mochizuki
- elec Tetramorphes Revelo I (2017), 16 mn / Marco Antonio Suárez-Cifuentes
- Textile Nacht for soprano, trombone, percussion, piano and cello (2013-2014), 8 mn, Breitkopf & Härtel / Isabel Mundry
- elec Thanatoséros for soprano, tenor and ensemble (2010), 26 mn, Suvini Zerboni / Ivan Fedele
- That's the Lover for voice and small ensemble (2006), 4 mn 30 s, Chester Music / Michael Nyman
- elec The Kempelen machine for "prepared" voice, eight instruments and electromagnetic devices (2015), 20 mn, Ricordi / Mauro Lanza
- The Apocalypse for solo voices, boy's and male choir and ensemble arranged in 3 spatial groups (1993), 3 h, Chester Music / John Tavener
- The Beautiful Names for tenor, mixed choir and ensemble (2004), 1 h 10 mn, Chester Music / John Tavener
- stage The Beggar's Opera A Ballad-Opera, by John Gay (1728), from the original composition by John Chistopher Pepusch (1667-1752) (1948), 1 h 45 mn, Boosey & Hawkes / Benjamin Britten
- The Birds for solo voice and ensemble (2007), 14 mn, Chester Music / Sir Peter Maxwell Davies
- The Blind Fiddler song cycle for mezzo-soprano and ensemble (1975), 43 mn, Boosey & Hawkes / Sir Peter Maxwell Davies
- The Blue (H)our for soprano, flute, clarinet and cello (2015) / Sofia Avramidou
- elec The body electric - Voicings on Walt Whitman I for female voice, clarinet, trombone, viola, percussion and electronics (2013-2014), 23 mn / Georgia Spiropoulos
- The Borrower for soprano and ensemble (2017), 7 mn, Boosey & Hawkes / Sir Harrison Birtwistle
- The Bosun's Cheer for spoken voice, flute, cello and double bass (2014), 4 mn, Chester Music / Kaija Saariaho
- elec stage The Boy who lived down the lane I/II 5 scenes in search of an opera, for mezzo-soprano, baritone, seven instruments and electronics (2010-2011, 2012), 20 mn about / Diana Soh
- stage The Burning Fiery Furnace second Parable for church performance (1966), 1 h 4 mn, Faber Music / Benjamin Britten
- stage The Cappemakers opera for ten soloists, two narrators, male chorus and ensemble (1964), 30 mn, Chester Music / John Tavener
- The Cartographer Song for soprano, two clarinets, viola, cello and double bass (2006), 5 mn, Boosey & Hawkes / Olga Neuwirth
- elec stage The Cave three-act documentary video opera in collaboration with videographer Beryl Korot (1993), 2 h 22 mn, Boosey & Hawkes / Steve Reich
- elec The Cave Four Genesis Settings, for voices, ensemble and sampler (2013), 11 mn, Boosey & Hawkes / Steve Reich
- The Celestial Country for tenor and baritone, two vocal quartets, mixed choir and instrumental ensemble (1898-1902), 37 mn, Peer International Corporation / Charles Ives
- elec stage The Cenci musical theater after Antonin Artaud (1997), 1 h 20 mn, Ricordi / Giorgio Battistelli
- elec The Church of Frequency & Protein for voice, trumpet, trombone, 2 percussion, piano, guitar, cello and DVD (2010), 52 mn / Jennifer Walshe
- stage The Collected Works of Billy the Kid chamber opera in one act (2017-2018), 60 mn, Schott / Gavin Bryars
- stage The Corridor scene for soprano, tenor and ensemble (2008), 48 mn, Boosey & Hawkes / Sir Harrison Birtwistle
- stage The Cure for two singers and ensemble (2014-2015), 56 mn, Boosey & Hawkes / Sir Harrison Birtwistle