Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?263 works out of 49591
- stage Histoire de loups opera (1976), 2 h 15 mn, Salabert / Georges Aperghis
- Homme Hors Temps for soprano, tenor and ensemble (2017), BabelScores / Pedro García-Velásquez
- stage Hydrogen Jukebox chamber opera for soloists and ensemble, collaboration with Allen Ginsberg and Jerome Sirli (1990), 1 h 30 mn, Dunvagen Music Publishers / Philip Glass
- elec I nostri dei sono morti II for mezzo-soprano, baritone, two flutes, piano, double bass and electronics (2015), 3 mn / Bára Gísladóttir
- stage I Was Looking at the Ceiling and Then I Saw the Sky "Songplay", in two acts (1995), 1 h 20 mn, Boosey & Hawkes / John Adams
- Ihm, eine Hymne for six voices and seven instruments (2001), 21 mn, Billaudot [program note] / Laurent Cuniot
- In Hellen stillen Zimmer five pieces for mezzo-soprano, bass, flute, violin, cello and accordion (1996), 11 mn, Editions SME/EMS / Xavier Dayer
- In late late night I thank Cage for soprano, alto, two alto flutes, harp, viola and cello (2014), 3 mn, édition du compositeur / Christian Mason
- invisible threads for string quartet, vocal sextet, bass clarinet and accordion (2022-2023), 1 h 12 mn, Breitkopf & Härtel / Christian Mason
- elec ircam Is it a true story telling for mezzo-soprano, bass baritone, accordion, trombone and double bass (2017), 41 mn / Javier Elipe Gimeno
- elec stage Jacob's Room chamber opera in one act (2010), 1 h 15 mn, Schott / Morton Subotnick
- elec Jardins Partagés I – À contre-allée for alto flute, Bb and bass clarinets, violin, cello, double bass, soprano, mezzo-soprano, tenor, baritone, bass and electronics (2019), 21 mn, Inédit / Pierre-Yves Macé
- Jewarechecha Adonai for soprano, bass, piano and organ, after a Jewish liturgical song (1940, 1941, 1942), 3 mn, Inédit / Paul Dessau
- stage Jojo musical theater (1990), 1 h 10 mn, pas d'éditeur / Georges Aperghis
- stage Jules Verne chamber fantasy in performance form for percussion trio, three voices, trumpet and piano (1987), 60 mn, Ricordi / Giorgio Battistelli
- just (after song of songs) for three voices and three instruments (2014), 15 mn / David Lang
- stage Kamchatka chamber opera, for three singers and four instrumentalists (2016), 1 h 15 mn, Le Chant du Monde / Daniel D'Adamo
- stage Kannst du pfeifen, Johanna musical theater based on a children's book by Ulf Stark, for three voices and ensemble (2013), 60 mn, Edition Juliane Klein / Gordon Kampe
- Kantrimiusik Pastoral for voices and instruments (1973-1975), 48 mn, Universal Edition / Mauricio Kagel
- elec stage Kind des Faust chamber opera on recorded medium (8 tracks), for soprano, tenor, countertenor, baritone, violin, viola, cello and electronics (2016), 18 mn, Inédit / Pierre-Yves Macé
- stage König Hamed und seine Erste Frau children's opera for three singers and small instrumental ensemble (2015), 50 mn / Zad Moultaka
- elec KuaFu for pipa, accordeon and vocalists (2016), 11 mn / Ying Wang
- Kurt Weill, Alabama Song arrangement for ensemble and voices ad libitum (), Inédit / Morton Feldman
- elec ircam stage L'annonce faite à Marie opera in four acts and one prologue (2019-2022), 2 h 20 mn / Philippe Leroux
- stage L'arbre qui parle Contes nocturnes, chamber opera in five scenes (2000-2001) / Yassen Vodenitcharov
- stage L'Écharpe rouge opera, for five main singers, sixteen secondary singers, three percussions and two pianos (1984), 2 h 40 mn, Salabert / Georges Aperghis
- L'enfant et l'aube for soprano, tenor, cello, flute, clarinet, percussion and piano (1988), 18 mn, Wilhelm Hansen / Per Nørgård
- L'enterrement de Mozart for five voices and ensemble (2008), 45 mn, Lemoine / Bruno Mantovani
- elec stage La Conférence des oiseaux Musical show for soprano-actress, narrator and instrumental ensemble and magnetic tape. (1985), 55 mn, Lemoine / Michaël Levinas
- elec ircam stage La Frontière chamber opera in four tableaux, for six singers, nine instrumentalists and live electronics (2003), 1 h 45 mn, Durand / Philippe Manoury
- La Libertad total for two actors, four singers and eight musicians (2013), between 60 mn and 1 h 30 mn, BabelScores / Lucas Fagin
- La mort du Nombre for soprano, tenor, violin and piano (1930), 12 mn, Durand / Olivier Messiaen
- Lamentations and Praises for solo voices and ensemble (2000), 1 h 10 mn, Chester Music / Sir John Tavener
- Lascaux for six female voices and six instruments (1992), 22 mn, Salabert / Laurent Cuniot
- Lassus-Fantaisie from " Ô doux parler", eight-way dialogue by Roland de Lassus, for four singers and saxophone quartet (2016), Alphonse Leduc / Betsy Jolas
- stage Le Couchant interlude for three singers and five instrumentalists (1990), 5 mn, Inédit [program note] / Gérard Pesson
- elec Le fils de Prométhée cantata for four voices, ensemble and electronics (2007-2009), 11 mn about [program note] / Aurélien Dumont
- stage Le Gendarme incompris lyrical comedy in one act, for three solo voices and instrumental ensemble (1920-1921), 30 mn, Salabert / Francis Poulenc
- stage Le goût du jour theatrical action for flute, piano and two actors (2006), 9 mn 20 s [program note] / Maurilio Cacciatore
- Le Ha Ha Platonique for baritone, mezzo-soprano, viola, electric guitar, cello, piano and double bass (2018), 10 mn / Gavin Bryars
- elec stage Le procès du jeune Chien three-act chamber musical theater (1974-1978), 3 h, Suvini Zerboni / Henri Pousseur
- Le Soupçon des Tombeaux (…En Absence… I) for six singers and seven instrumentalists (2020), 19 mn, Éditions musicales Artchipel / Augustin Braud
- elec ircam Le voyage monodrama for an actor, six solo voices, four instrumentalists and electronics (2011-2012), 27 mn, Universal Edition [program note] / Johannes Maria Staud
- Le Voyage d’Urien dramaturgy for vocal and instrumental ensemble (2008), 20 mn, Rai Trade / Lucia Ronchetti
- elec stage Leçons d'Enfer musical theater, for two actors, three singers and seven instrumentalists (1990), 1 h 45 mn, Suvini Zerboni / Henri Pousseur
- elec stage Les Boulingrin opera-bouffe for ensemble and four singers (2010), 1 h 10 mn, partition téléchargeable sur le site du compositeur / Georges Aperghis
- stage Les Enfants Terribles opera dance for soloists, ensemble and dancers (1996), 1 h 35 mn, Dunvagen Music Publishers / Philip Glass
- elec stage Les Morts qui touchent sonic theater, for narrator, mezzo-soprano, ensemble and electronic device in deferred time (2013), 1 h 25 mn / Martin Matalon
- stage les petites filles modèles or les femmes entre elles, chamber opera with a choreography by Pierre Droulers (1995), 60 mn [program note] / Johannes Schöllhorn
- stage Les Quatre Jumelles for solo voices and ensemble (2008), 60 mn, Lemoine / Régis Campo