Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?477 works out of 49590
- II Symfonia (Symfonia pieśni) for soprano, baritone, mixed choir and orchestra (1953), 23 mn about , PWM (Polskie Wydawnictwo Muzyczne) / Kazimierz Serocki
- stage II. Les Choephores opera for soprano, baritone, narrator, mixed choir and orchestra (1915), 30 mn, Heugel / Darius Milhaud
- Il canto s'attrista, perché? scene after Aeschylus (2018-2019), 1 h 20 mn, RAI.COM / Salvatore Sciarrino
- Il Canto Sospeso for soprano, alto, tenor, mixed choir and orchestra (1956), 28 mn, Ars Viva / Luigi Nono
- stage Il Prigioniero Opera in a prologue and an act (1944-1948), 50 mn, Suvini Zerboni / Luigi Dallapiccola
- stage Il Re Cervo oder Die Irrfahrten der Wahrheit opera in three acts, reduced version of König Hirsch (1962), 2 h 30 mn, Schott / Hans Werner Henze
- stage Il ritorno d'Ulisse in patria free reconstruction of the opera by Claudio Monteverdi (1641) (1981), 3 h, Schott / Hans Werner Henze
- elec stage Im Paradies oder der Alte vom Berge five schematic opera acts on a large orchestra (1973-1975), 1 h 30 mn, Inédit / Klaus Huber
- IMA for solo voices, mixed choir and orchestra (2002), 27 mn 13 s, Schott / Peter Eötvös
- elec Impressions, mouvements oratorio for narrator, choir and orchestra (1989), 42 mn, Jobert / Marc-André Dalbavie
- In exspectatione resurrectionis Domini cantata for baritone, choir and orchestra (1965), 18 mn, Universal Edition / Cristóbal Halffter
- elec stage Inferno opera based on the play of the same name by Peter Weiss (2004), 1 h 40 mn, Boosey & Hawkes / Johannes Kalitzke
- Inkslinger's Aria for solo tenor, male choir and chamber orchestra (1940-1941), 5 mn, Faber Music / Benjamin Britten
- stage Innocence opera in five acts (2018), 1 h 45 mn, Chester Music [program note] / Kaija Saariaho
- stage Inquest of Love opera in two acts (1991), 2 h 15 mn, Faber Music / Jonathan Harvey
- Insula felix for two solo voices, choir and chamber orchestra (2003), 30 mn, Universal Edition / Wolfgang Rihm
- stage Intermezzo domestic comedy with symphonic interludes in two acts (1919-1923), 2 h, Boosey & Hawkes / Richard Strauss
- Internationale Kriegsfibel for solo voices, mixed choir and orchestra (1944-1948) / Paul Dessau
- elec stage Intolleranza 1960 action in two tableaux based on an idea by Angelo Maria Ripellino (1960-1970), 1 h 20 mn, Ars Viva / Luigi Nono
- Intolleranza 1960 (suite da concerto) for soprano, choir and orchestra (1969), 18 mn, Ars Viva / Luigi Nono
- Invocation Opera (2002-2003), Bärenreiter / Beat Furrer
- Io for mezzo-soprano, choir and twelve instruments (1979-1980, 2002), 30 mn, Éditions de l'Agité [program note] / Bernard Cavanna
- Ivan le Terrible oratorio for narrator, contralto, baritone, children's choir, mixed choir and orchestra (1942-1946), 1 h 5 mn, Boosey & Hawkes / Serge Prokofiev
- Jabberwocky (Alice nel paese delle meraviglie) one act opera (1961-1962), 60 mn, Suvini Zerboni / Niccolò Castiglioni
- elec stage Jeanne d'Arc for three soloists, choir and orchestra (2018-2019), 1 h 32 mn, Boosey & Hawkes / Johannes Kalitzke
- Jiang Tcheng Tse for solo voice, chorus and orchestra (2017), 22 mn, Boosey & Hawkes / Qigang Chen
- stage Job, una sacra rappresentazione for solo voices, narrator, choir and orchestra (1950), 35 mn, Suvini Zerboni / Luigi Dallapiccola
- stage Jonny spielt auf two-part opera (1926), 1 h 50 mn, Universal Edition / Ernst Krenek
- elec Joseph Merrick dit Elephant Man opera (1996-1998), 2 h 35 mn, Durand / Laurent Petitgirard
- elec stage Jot, oder wann kommt der Herr zurück dialectic opera (1972-1973), 1 h 20 mn, Schott / Klaus Huber
- Jüdische Chronik for solo contralto and baritone, chamber choir, two reciters and small orchestra (1960-1961), 25 mn, Boosey & Hawkes / Boris Blacher
- Kadisz for soprano, tenor, narrator, male choir and orchestra (2009), 20 mn, Schott / Krzysztof Penderecki
- Kalá for soprano, bass, mixed choir and orchestra (2000), 32 mn, Boosey & Hawkes / Unsuk Chin
- stage Karl V two-part opera (1932-1933), 1 h 45 mn, Universal Edition / Ernst Krenek
- Kehraus um St. Stephan Musical satire in two parts, for solo voices, choir and orchestra (1930), Bärenreiter / Ernst Krenek
- elec Keyframes for a Hippogriff - Musical Calligrams in memoriam Hester Diamond for countertenor, children's choir and orchestra (2019), 25 mn, Ricordi Berlin / Olga Neuwirth
- Kol nidre op. 39 for reciter (Rabbi), mixed choir and orchestra in G minor (1938), 12 mn, Belmont / Arnold Schoenberg
- stage Kommilitonen! (Young Blood!) opera in two acts (2010), 1 h 30 mn, Chester Music / Sir Peter Maxwell Davies
- stage König Hirsch opera in three acts (1952-1956), 4 h, Schott / Hans Werner Henze
- Kosmogonia for soloists, mixed choir and orchestra (1970), 20 mn, Schott / Krzysztof Penderecki
- Kullervo lyric symphony in five tableaux, for soprano, baritone, male choir and orchestra (1892), 1 h 12 mn, Breitkopf & Härtel / Jean Sibelius
- elec ircam stage L'amour de loin opera in five acts (1999-2000), 2 h, Chester Music / Kaija Saariaho
- stage L'Amour des trois oranges opera in four acts, ten tableaux and a prologue (1919), 2 h, Boosey & Hawkes / Serge Prokofiev
- elec stage L'Espace dernier musical theater in four parts on texts and images around the work and life of Arthur Rimbaud (2002-2003), Bärenreiter / Matthias Pintscher
- stage L'Histoire d'un homme véritable opera in four acts (1947-1948), 1 h 45 mn, Boosey & Hawkes / Serge Prokofiev
- stage L'instant opera for soloists, choir and orchestra (2007), 50 mn, Le Chant du Monde / Oscar Strasnoy
- stage L'Upupa und der Triumph der Sohnesliebe comedy in 11 tableaux (2003), 2 h 20 mn, Chester Music [program note] / Hans Werner Henze
- elec stage La Célestine lyrical tragicomedy in 11 tableaux for solo voices, choir, orchestra and electronics (1982-1987), Billaudot [program note] / Maurice Ohana
- elec La cérémonie for solo voices, orchestral formation and 24 reciters (1970), 15 mn, Heugel / Leduc / Paul Méfano
- stage La Cerisaie opera in two acts with a prologue and an epilogue (2008-2009), 1 h 50 mn, Zabak Productions / Philippe Fénelon