Works / By specific formation
Comment faire une recherche par effectif détaillé sur BRAHMS ?2251 works out of 49591
- LAUB for violin, guitar and choir (2018), 15 mn / Lisa Streich
- Lauda 30 “Stella nuova” for three sopranos, bass clarinet and double bass (2005), 4 mn / Gavin Bryars
- Lauda 35 L’alto prence archangelo for tenor, electric guitar, 2 violas, cello and bass (2008), 4 mn / Gavin Bryars
- Lauda 36 Gloria in cielo for soprano, tenor, viola, bass clarinet and double bass (2008), 5 mn / Gavin Bryars
- Lauda 38 Ben è crudele for mixed choir, viola, electric guitar, cello and double bass (2009), 6 mn / Gavin Bryars
- Lauda 39 Magdalena degna da laudare for tenor, viola, cello, electric guitar and double bass (2009), 5 mn / Gavin Bryars
- Lauda 40 “Madonna Santa Maria” for four voices and four instruments (2011) / Gavin Bryars
- Lauda 41 “De la crudel morte de Cristo” lauda for soprano, tenor, electric guitar, viola, cello and bass (2011) / Gavin Bryars
- Lauda 42 lauda for soprano, tenor, electric guitar, viola, cello, double bass (2012) / Gavin Bryars
- stage Le bal de la contemporaine music for dancing, for groups of instruments and voice(s) (1984), 20 mn / Henry Fourès
- Le Bestiaire des Particuliers for voice and string quartet (2014), 10 mn, Maison ONA / Paul Méfano
- stage Le brave petit soldat de plomb one-act chamber opera based on Andersen's tale (2002), 45 mn / Yassen Vodenitcharov
- Le cantique de la lumière for mezzo-soprano, clarinet and cello (2002), 5 mn, Inédit / Frédéric Kahn
- Le Chant de Salomon for soprano and ensemble (1992), 18 mn / Elżbieta Sikora
- elec stage Le chant quotidien cycle of melodies after Ghérasim Luca, for baritone, instrumental quartet and video (2007) / Alexandros Markeas
- Le Chevalier imaginaire opera in a prologue and two acts (2005, 1984-1986), 1 h 35 mn, Ricordi [program note] / Philippe Fénelon
- stage Le Couchant interlude for three singers and five instrumentalists (1990), 5 mn, Inédit [program note] / Gérard Pesson
- Le coucou harmonization of popular song, for soprano and quartet (), Inédit / Serge Nigg
- elec Le fils de Prométhée cantata for four voices, ensemble and electronics (2007-2009), 11 mn about [program note] / Aurélien Dumont
- Le Fou d'Elsa cycle of melodies on poems by Aragon for contralto voice, cello and piano (2000), 16 mn, Durand / Laurent Petitgirard
- stage Le Gendarme incompris lyrical comedy in one act, for three solo voices and instrumental ensemble (1920-1921), 30 mn, Salabert / Francis Poulenc
- Le Grand Lustucru arrangement of Marie Galante by Kurt Weil, for mezzo-soprano and ensemble (1993, 1967-1972), 3 mn, Universal Edition / Luciano Berio
- Le Ha Ha Platonique for baritone, mezzo-soprano, viola, electric guitar, cello, piano and double bass (2018), 10 mn / Gavin Bryars
- le jardin d'hiver for solo tenor, twelve mixed voices and twelve instrumentalists (1991), 35 mn, Amphion [program note] / Philippe Fénelon
- le Jardin des délices for soprano, flute and cello (1996), 9 mn, Salabert / Eric Tanguy
- Le Livre du pélerin for soprano and ensemble (1980) / Olivier Greif
- Le Marteau sans maître for contralto voice and six instruments (1957, 1954), 35 mn, Universal Edition [program note] / Pierre Boulez
- stage Le Monde est devenu Sombre for singers, instrumental ensemble and children's choir (2013-2014), 32 mn about / Didier Rotella
- stage Le Mystère de la Visitation stage music for the play by Henri Ghéon (1942), Inédit / André Jolivet
- elec Le nubi non scoppiano per il peso for ensemble of nine instruments, coloratura, electronics and computer-controlled water drops (2011), 21 mn, Ricordi [program note] / Mauro Lanza
- elec ircam Le Pacte des onze five stanzas for soprano, two tenors, bass, ensemble and magnetic tape (1984), 34 mn, Theodore Presser / Michel Tabachnik
- elec Le Plancher de Jeannot monodrama (2013), 40 mn / Sebastian Rivas
- elec stage Le procès du jeune Chien three-act chamber musical theater (1974-1978), 3 h, Suvini Zerboni / Henri Pousseur
- stage Le roi des arbres spoken opera in one act, for a conductor, three actors and ensemble (1993), 55 mn / Xu Yi
- elec stage Le royaume d'en bas for actress, instruments, electronic device, video (2010) / Pierre Jodlowski
- Le Sixième commandement. Tu ne tueras pas for four female voices, flute, cello and percussion (2022), 35 mn, PWM (Polskie Wydawnictwo Muzyczne) / Elżbieta Sikora
- Le Soldat inconnu for baritone and ensemble (2013), 27 mn, Durand / Georges Aperghis
- Le Soleil des Incas for soprano and ensemble (1964), 21 mn, Universal Edition / Edison Denisov
- Le Soupçon des Tombeaux (…En Absence… I) for six singers and seven instrumentalists (2020), 19 mn, Éditions musicales Artchipel / Augustin Braud
- Le temps d'une anamorphose for soprano, alto, saxophone and two percussions (2003), 10 mn / David Hudry
- Le temps d'une anamorphose... II for mezzo-soprano, alto, saxophone and two percussions (2005), 10 mn, BabelScores / David Hudry
- elec stage Le tentazioni di Girolamo musical theater for narrator, soprano, harp, double bass, tape and live electronics (1995), 50 mn, Edi-Pan / Lucia Ronchetti
- Le vent doux dans les pins... à la mémoire de la blouse blanche, for voices and ensemble (1995), 8 mn 30 s / Yassen Vodenitcharov
- Le voci Sottovetro trancription after Carlo Gesualdo for voice and ensemble (1998), 15 mn, Ricordi [program note] / Salvatore Sciarrino
- elec ircam Le voyage monodrama for an actor, six solo voices, four instrumentalists and electronics (2011-2012), 27 mn, Universal Edition [program note] / Johannes Maria Staud
- Le Voyage d’Urien dramaturgy for vocal and instrumental ensemble (2008), 20 mn, Rai Trade / Lucia Ronchetti
- Least bee first version, for voice and small ensemble (1991-1992), 17 mn, Ricordi / Stefano Gervasoni
- Least bee second version, for voice and small ensemble (1991-1992, 2003), 15 mn, Ricordi / Stefano Gervasoni
- Lebenslauf six melodies on poems by Hölderlin, for soprano and instrumental ensemble (1992), 16 mn, Durand / Philippe Hersant
- Leçons de ténèbres for three voices and instrumental ensemble (2003), 1 h 35 mn, Zabak Productions [program note] / Philippe Fénelon