
Lucia Ronchetti
Italian composer born 3 February 1963 in Rome.
Lucia Ronchetti studied piano, composition, and electronic music, notably with Sylvano Bussotti and Salvatore Sciarrino. She went on to study with Gérard Grisey in Paris, and participated in the IRCAM Cursus (IRCAM’s composition and computer music course) in 1995-96, allowing her further study with Tristan Murail. She also earned a Doctorate in Musicology from the École Pratique des Hautes Études in Paris, under the direction of François Lesure.
She participated in the Stuttgart Staatsoper Forum Neues Musiktheater, and in 2005, was the recipient of a Fulbright grant for study at Columbia University in New York. She was awarded residencies from the Cité Internationale des Arts in Paris (1996-1997), Schloss Solitude in Stuttgart (1999), MacDowell Colony in Peterborough, New Hampshire (2003), DAAD in Berlin (2005-2006), Yaddo in upstate-New York (2007), Schloss Werdenberg in Switzerland (2013), and Villa Concordia in Bamberg, Germany (2016).
Lucia Ronchetti has written for a wide range of instrumentations, and often uses electronics. She draws inspiration from the natural sciences, philosophy (e.g., Die Sorge geht über den Fluss, a study based on Hans Blumenberg [1995]), and the poetry, literature, and paintings of Ludovico Ariosto, Nicolas Gogol (Die Nase [1994]), Velasquez (Hombre de mucha gravedad for vocal quartet and string quartet [2002]), and Adolf Wölfli (Musikfässli [1994], Zohrn [1994], and La violette geante [2012]).
She has also written numerous homages to historical composers, e.g., Prosopopeia, based on Schütz’ Musikalische Exequien (2009); Lezioni di tenebra, a scenic work after Giasone by Francesco Cavalli;Neumond, a chamber opera inspired by The Magic Flute (2012); Opus 100, after Schubert (2005); Ravel Unravel (2012); and Le Palais du silence after Debussy (2013).
Following a first period (which lasted until 1993) largely dedicated to works for chamber ensemble (notably including Tremblements de tendresse), Lucia Ronchetti became interested in radiophonic music, giving rise to L’Alibi del Labirinto, a setting of a text by Toti Scialoja (1993), and scenic works drawing upon Italian 20th century literature, e.g., that of Ermanno Cavazzoni (Le tentazioni di Girolamo [1995] and Esame di mezzanotte [2014]), Giorgio Manganelli (Pinocchio, una storia parallela [2005] and Amore [2002]) and Luigi Pirandello (Sei personaggi in cerca d’autore [2011]). A collaboration with the South African poet Ivan Vladislavic resulted in Rumori da Monumenti, presented as part of the i.n.t.o Project in Johannesburg in 2008.
Theatricality (in varied forms) is at the heart of Ronchetti’s creative identity. In 1999, she composed a collection of non-staged vocal works for Neue Vokalsolisten, known as “dramaturgies,” some of which were based upon madrigal traditions, e.g., Anatra al sal (1999). These were the first in a series of works written for the group, which includes Le Voyage d’Urien, a setting of a text by André Gide (2008); Pinocchio, una storia parallela (2005); Studio detto dei venti (2010); Der Sonne entgegen, a scenic work for fourteen voices (2007); and Blumenstudien, a madrigal after Gesualdo (2013). The Dresden Semperoper commissioned a three-part, large-scale theatrical work to be premiered over three seasons, comprising Contrascena (2012), Sub-Plot (2013), and Mise en abyme (2014). Following this, Ronchetti composed several operas, including: Esame di mezzanotte (2015), premiered at the Nationaltheater in Mannheim; Les Aventures de Pinocchio (2015), premiered by Ensemble Intercontemporain at the Rouen opera house in 2017; and Inferno, premiered at the Frankfurt Opera in 2018.
Lucia Ronchetti has received numerous accolades. Her chamber opera Der Sonne entgegen, for fourteen voices (2006), was awarded the Experimentelles Musiktheater NRW Fund Prize in 2006 and the Music Theater Now Prize from the Berlin International Theater Institut in 2008. A new version of this work was premiered at Maerzmusik in 2010 with support from the Haupt Stadt Kultur Fund. Ronchetti was also awarded the Künstlerinnenpreis from the City of Heidelberg in 2013.
Lucia Ronchetti teaches music theory, counterpoint, and composition at the Salerno Conservatory, and has appeared as a guest at numerous seminars in Europe, the United States, Latin America, and in Johannesbourg.
© Ircam-Centre Pompidou, 2018
Sources
Site personnel de Lucia Ronchetti ; Festival Musica, Strasbourg ; Rainer Pöllmann, « Lucia Ronchetti, compostitrice errante », in Osservatorio Nuova musica (voir ressources).
- Solo (excluding voice)
- Requiem for solo viola (1982, 2006), 15 mn, Rai Trade
- Studi profondi for solo viola (2007, 1984), 8 mn, Rai Trade
- Mehr Vogel als Engels for solo double bass (1994), 10 mn, Lemoine
- elec ircam Ircam cursus Eluvion-Etude for viola, real-time electronic device and interactive shots (1997), 7 mn, Ricordi [program note]
- elec BendelSchlemihl Strasse Opern for recorded voices, accordion and live electronics (2000), 22 mn, Durand
- elec Il sonno di Atys for viola and live electronics (2002-2003), 20 mn, Rai Trade
- A solo for viola (2005), 5 mn, Rai Trade
- elec Come un acciar che non ha macchia alcuna Studio sulla luna da Ludovico Ariosto, for chime and recorded sounds (2005), 7 mn, Rai Trade
- elec Last Desire Cadenza for viola and live electronics (2006), 15 mn, Rai Trade
- elec stage Xylocopa Violacea dramaturgy for viola and live electronics (2007), 45 mn, Rai Trade
- Helicopters and butterflies solo for an operatic percussionist (2012), 15 mn, Rai Trade
- William Wilson for double bass (and voice) (2014), 15 mn, Rai Trade
- Lacus timoris dramaturgy for timpani (2015), 10 mn, Rai Trade
- Forward and downward, turning neither to the left nor to the right solo cello version (2017), 20 mn, Rai Trade
- Chamber music
- Tremblements de tendresse for set (1992-1993), 8 mn, Ricordi
- Die Nase Puppen play, for clarinet, cello and piano (1994), 30 mn, Ricordi
- Krise eines Engels study after Paul Klee, for flute, clarinet, violin and piano (1994), 8 mn, Lemoine
- In shape of Anxieties in Nomime Studio , for ensemble (2005), 4 mn, Rai Trade
- Opus 100 Kriptomnesie da Schubert , for violin, cello and piano (2005), 10 mn, Rai Trade
- The Glazed Roof A Study of Equilibrium by Ieoh Ming Pei , for harp, piano, marimba and string quartet (2005), 12 mn, Rai Trade
- Like winter moving backwards a story for a piano for four hands (2009), 7 mn, Rai Trade
- Rosso pompeiano Scherzo for ensemble (2010), 5 mn, Rai Trade
- Ravel Unravel Action concert piece after the Concerto pour la main gauche by Maurice Ravel, for cello and piano (2012), 25 mn, Rai Trade
- Yellow, and black, and pale and hectic red after Shelley, Ode to the West Wind , for sextet (2012), 60 s, Rai Trade
- Toccar con gl’occhi e rimirar col tatto dramaturgy for three violas (2014), 20 mn, Rai Trade
- Instrumental ensemble music
- Il Teatro Naturale di Oklahoma for ensemble (1988), 15 mn, Lemoine
- Zohrn Studio da Adolf Wölfli , for ensemble (1994), 13 mn, Lemoine
- Anakyklosis for instrumental ensemble (1996), 8 mn, Lemoine
- Schiffbruch mit Zuschauer Studio da Hans Blumenberg , for orchestra (1997, 1999), 12 mn, Durand
- Geographisches Heft Studio da Adolf Wölfli, for ensemble (2001), 15 mn, Durand
- elec Quaderno gotico for orchestra (2000-2001), 15 mn, Durand
- Déclive-Étude lullaby for orchestra (2001-2002), 15 mn, Rai Trade
- Talia for set (2003), 8 mn, Rai Trade
- Arborescence In memoriam Giuseppe Sinopoli, study for orchestra (2004), 10 mn, Rai Trade
- elec Rumori da Monumenti A study on Johannesburg , for recorded voice and ensemble (2008), 20 mn, Rai Trade
- Gutta cavat lapidem study for orchestra (2011), 12 mn, Rai Trade
- Le Palais du silence dramaturgy after Claude Debussy, for ensemble (2013), 12 mn, Rai Trade
- Concert music
- Die Sorge geht über den Fluss Studio da Hans Blumenberg, for flute, clarinet and orchestra (1995), 15 mn, Lemoine
- Vocal music and instrument(s)
- Ballade des pendus for voice and ensemble (1980)
- Animalie Rapsodia for reader, voices and ensemble (1992), Ricordi
- elec stage Le tentazioni di Girolamo musical theater for narrator, soprano, harp, double bass, tape and live electronics (1995), 50 mn, Edi-Pan
- Bassa marea Lied for voice and harp (1996)
- Les propos de Shitao for voice and ensemble (2000), 12 mn, Durand
- elec stage L’ape apatica concerto game for children's voice, soprano, trombone, two percussionists, children's choir and electronics (2001), 30 mn, Rai Trade
- elec stage Amore one-act musical theater, for female voice, viola and live electronics (2002), 25 mn, Rai Trade
- Hombre de mucha gravedad dramaturgy on Las meninas by Velasquez for vocal quartet and string quartet (2002), 15 mn, Durand
- elec stage Last Desire tragedy in one act, for three voices, viola and live electronics (2004), 50 mn, Rai Trade
- elec stage Der Sonne entgegen musical theater for fourteen voices, brass ensemble and live electronics (2006-2007, 2009), 1 h 15 mn, Rai Trade
- Le Voyage d’Urien dramaturgy for vocal and instrumental ensemble (2008), 20 mn, Rai Trade
- Hamlet’s Mill dramaturgy for soprano, bass, viola and cello (2009), 20 mn, Rai Trade
- stage Lezioni di tenebra musical theater after Giasone by Francesco Cavalli, for solo voices, vocal and instrumental ensemble (2010), 1 h 15 mn, Rai Trade
- stage Narrenschiffe In-transit actions after Sebastian Brant , musical theater for actors, solo voices, amateur wind orchestra, amateur male choir and passers-by (2010), 40 mn, Rai Trade
- stage Prosopopeia A study of personification , dramaturgy after Heinrich Schütz's Musikalische Exequien , for vocal and instrumental ensemble (2009-2010), 1 h 15 mn about , Rai Trade
- stage Sei personaggi in cerca d’autore dramaturgy after Luigi Pirandello for six voices and orchestra (2011), 20 mn, Rai Trade
- stage Neumond chamber opera for young audiences after Mozart's The Magic Flute , for solo voices, vocal and instrumental ensemble (2012), 60 mn about , Rai Trade
- Florilegium for vocal ensemble, choir and orchestra (2013), 30 mn, Rai Trade
- Studio di Urien for baritone and piano (2013), 10 mn, Rai Trade
- Sub-Plot Intermezzo for soloists and continuo (2013), 20 mn about , Rai Trade
- stage Esame di mezzanotte opera for actors, solo voices, vocal ensemble, children's choir, choir and orchestra (2014), 1 h 40 mn, Rai Trade
- elec stage Forward and downward, turning neither to the left nor to the right opera for soloists, choir, orchestra and live electronics (2014), 1 h 30 mn, Rai Trade
- Meines Wartens dramaturgy for spoken voice and viola (2014), 15 mn, Rai Trade
- Mise en abyme chamber opera for soloists, vocal ensemble and chamber orchestra (2014), 60 mn about , Rai Trade
- stage Les aventures de Pinocchio instrumental comedy, for soprano and ensemble (2015), 60 mn, Rai Trade
- Rumori da monumenti for recorded voice and chamber orchestra (2015), 15 mn, Rai Trade
- stage Abschlussball musical theater, for soprano, voice, actors and tape (2016), 2 h
- Aria da baule dramaturgy for actor, soprano and string quartet (2016), 10 mn, Rai Trade
- Lascia ch'io pianga for soprano and piano (2016), 15 mn, Rai Trade
- stage Rivale chamber opera, for mezzo-soprano, solo viola and brass and percussion ensemble (2017), 60 mn
- stage Inferno opera, for actors, solo voices, vocal ensemble, mixed choir, string quartet and wind and percussion ensemble (2017-2018), 1 h 30 mn
- A cappella vocal music
- Anatra al sal Comedia harmonica, dramaturgy for six voices (1999), 8 mn 36 s, Durand
- stage Melonomanie Predizioni vocali , dramaturgy for reciting voice and vocal trio (2002), 15 mn, Rai Trade
- Pinocchio, una storia parallela dramaturgy for four male voices (2005), 20 mn 50 s, Rai Trade
- Coins and crosses A Yessong, for vocal ensemble (2007), 5 mn
- stage Albertine dramaturgy for female soloist voice and whispering audience (2007-2008), 20 mn, Rai Trade
- Le nuove musiche di Giulio Caccini detto Romano, 1601 lesson for solo voice (2008), 8 mn, Rai Trade
- elec Sebenza e-mine radio piece composed with Philip Miller, for spoken voice, vocal ensemble and fixed sounds (2010), 54 mn 52 s
- Studio detto dei venti A medley attempt for four voices (2010), 4 mn, Rai Trade
- 3e32 Naufragio di terra musical drama for seven witnesses and mixed choir (2012), 50 mn, Rai Trade
- stage Contrascena for baritone and vocal quartet (2012), 15 mn, Rai Trade
- Blumenstudien Madrigale for vocal ensemble, with music by Gesualdo da Venosa (2013), 10 mn, Rai Trade
- Fiore di campo radio piece about Peppino Impastato (2015), 50 mn
- Inedia prodigiosa for female voices, mixed choir and amateur choir (2016), 20 mn, Rai Trade
- La fuga degli organi dramaturgy for tenor solo (2017), 5 mn, Rai Trade
- Electronic music / fixed media / mechanical musical instruments
- elec Astolfo sulla luna radio play (1987), 25 mn
- elec L'Alibi del Labirinto radio play (1993), 2 h
- elec Rivelazione radio play (1998), 25 mn
- A.B.O.rdo delle Arti music for Achille Bonito Oliva's documentary in twenty episodes on modern art (2004)
- elec A room only for music sound installation (2006), 30 mn
- elec Studio in forma di rosa Hörstuck composed with Folkmar Hein (2006), 13 mn 17 s
- elec Il Castello di Atlante Apparizioni per radio sola (2007), 54 mn
- elec Invitation au voyage for tape, composed with Thomas Seelig (2008)
- elec Lupus in studio, Folkmar in fabula for tape (2008)
- elec Interlude 1 and 2 for Xylocopa Violacea , for tape (2008-2009), 17 mn
- elec Weltall scene-video from Der Sonne entgegen (2010), 6 mn 40 s
- Black Star Nati sotto una stella nera, music for the film by Francesco Castellani (2012)
- elec La violette geante Studio IV after Adolf Wölfli for bass flute and tape (1996, 2012), 7 mn 54 s, Edi-Pan
- 2018
- stage Inferno opera, for actors, solo voices, vocal ensemble, mixed choir, string quartet and wind and percussion ensemble, 1 h 30 mn
- 2017
- Forward and downward, turning neither to the left nor to the right solo cello version, 20 mn, Rai Trade
- La fuga degli organi dramaturgy for tenor solo, 5 mn, Rai Trade
- stage Rivale chamber opera, for mezzo-soprano, solo viola and brass and percussion ensemble, 60 mn
- 2016
- stage Abschlussball musical theater, for soprano, voice, actors and tape, 2 h
- Aria da baule dramaturgy for actor, soprano and string quartet, 10 mn, Rai Trade
- Inedia prodigiosa for female voices, mixed choir and amateur choir, 20 mn, Rai Trade
- Lascia ch'io pianga for soprano and piano, 15 mn, Rai Trade
- 2015
- Fiore di campo radio piece about Peppino Impastato, 50 mn
- Lacus timoris dramaturgy for timpani, 10 mn, Rai Trade
- stage Les aventures de Pinocchio instrumental comedy, for soprano and ensemble, 60 mn, Rai Trade
- Rumori da monumenti for recorded voice and chamber orchestra, 15 mn, Rai Trade
- 2014
- stage Esame di mezzanotte opera for actors, solo voices, vocal ensemble, children's choir, choir and orchestra, 1 h 40 mn, Rai Trade
- elec stage Forward and downward, turning neither to the left nor to the right opera for soloists, choir, orchestra and live electronics, 1 h 30 mn, Rai Trade
- Meines Wartens dramaturgy for spoken voice and viola, 15 mn, Rai Trade
- Mise en abyme chamber opera for soloists, vocal ensemble and chamber orchestra, 60 mn about , Rai Trade
- Toccar con gl’occhi e rimirar col tatto dramaturgy for three violas, 20 mn, Rai Trade
- William Wilson for double bass (and voice), 15 mn, Rai Trade
- 2013
- Blumenstudien Madrigale for vocal ensemble, with music by Gesualdo da Venosa, 10 mn, Rai Trade
- Florilegium for vocal ensemble, choir and orchestra, 30 mn, Rai Trade
- Le Palais du silence dramaturgy after Claude Debussy, for ensemble, 12 mn, Rai Trade
- Studio di Urien for baritone and piano, 10 mn, Rai Trade
- Sub-Plot Intermezzo for soloists and continuo, 20 mn about , Rai Trade
- 2012
- 3e32 Naufragio di terra musical drama for seven witnesses and mixed choir, 50 mn, Rai Trade
- Black Star Nati sotto una stella nera, music for the film by Francesco Castellani
- stage Contrascena for baritone and vocal quartet, 15 mn, Rai Trade
- Helicopters and butterflies solo for an operatic percussionist, 15 mn, Rai Trade
- elec La violette geante Studio IV after Adolf Wölfli for bass flute and tape, 7 mn 54 s, Edi-Pan
- stage Neumond chamber opera for young audiences after Mozart's The Magic Flute , for solo voices, vocal and instrumental ensemble, 60 mn about , Rai Trade
- Ravel Unravel Action concert piece after the Concerto pour la main gauche by Maurice Ravel, for cello and piano, 25 mn, Rai Trade
- Yellow, and black, and pale and hectic red after Shelley, Ode to the West Wind , for sextet, 60 s, Rai Trade
- 2011
- Gutta cavat lapidem study for orchestra, 12 mn, Rai Trade
- stage Sei personaggi in cerca d’autore dramaturgy after Luigi Pirandello for six voices and orchestra, 20 mn, Rai Trade
- 2010
- stage Lezioni di tenebra musical theater after Giasone by Francesco Cavalli, for solo voices, vocal and instrumental ensemble, 1 h 15 mn, Rai Trade
- stage Narrenschiffe In-transit actions after Sebastian Brant , musical theater for actors, solo voices, amateur wind orchestra, amateur male choir and passers-by, 40 mn, Rai Trade
- stage Prosopopeia A study of personification , dramaturgy after Heinrich Schütz's Musikalische Exequien , for vocal and instrumental ensemble, 1 h 15 mn about , Rai Trade
- Rosso pompeiano Scherzo for ensemble, 5 mn, Rai Trade
- elec Sebenza e-mine radio piece composed with Philip Miller, for spoken voice, vocal ensemble and fixed sounds, 54 mn 52 s
- Studio detto dei venti A medley attempt for four voices, 4 mn, Rai Trade
- elec Weltall scene-video from Der Sonne entgegen , 6 mn 40 s
- 2009
- Hamlet’s Mill dramaturgy for soprano, bass, viola and cello, 20 mn, Rai Trade
- elec Interlude 1 and 2 for Xylocopa Violacea , for tape, 17 mn
- Like winter moving backwards a story for a piano for four hands, 7 mn, Rai Trade
- 2008
- stage Albertine dramaturgy for female soloist voice and whispering audience, 20 mn, Rai Trade
- elec Invitation au voyage for tape, composed with Thomas Seelig
- Le Voyage d’Urien dramaturgy for vocal and instrumental ensemble, 20 mn, Rai Trade
- Le nuove musiche di Giulio Caccini detto Romano, 1601 lesson for solo voice, 8 mn, Rai Trade
- elec Lupus in studio, Folkmar in fabula for tape
- elec Rumori da Monumenti A study on Johannesburg , for recorded voice and ensemble, 20 mn, Rai Trade
- 2007
- Coins and crosses A Yessong, for vocal ensemble, 5 mn
- elec stage Der Sonne entgegen musical theater for fourteen voices, brass ensemble and live electronics, 1 h 15 mn, Rai Trade
- elec Il Castello di Atlante Apparizioni per radio sola, 54 mn
- elec stage Xylocopa Violacea dramaturgy for viola and live electronics, 45 mn, Rai Trade
- 2006
- elec A room only for music sound installation, 30 mn
- elec Last Desire Cadenza for viola and live electronics, 15 mn, Rai Trade
- elec Studio in forma di rosa Hörstuck composed with Folkmar Hein, 13 mn 17 s
- 2005
- A solo for viola, 5 mn, Rai Trade
- elec Come un acciar che non ha macchia alcuna Studio sulla luna da Ludovico Ariosto, for chime and recorded sounds, 7 mn, Rai Trade
- In shape of Anxieties in Nomime Studio , for ensemble, 4 mn, Rai Trade
- Opus 100 Kriptomnesie da Schubert , for violin, cello and piano, 10 mn, Rai Trade
- Pinocchio, una storia parallela dramaturgy for four male voices, 20 mn 50 s, Rai Trade
- The Glazed Roof A Study of Equilibrium by Ieoh Ming Pei , for harp, piano, marimba and string quartet, 12 mn, Rai Trade
- 2004
- A.B.O.rdo delle Arti music for Achille Bonito Oliva's documentary in twenty episodes on modern art
- Arborescence In memoriam Giuseppe Sinopoli, study for orchestra, 10 mn, Rai Trade
- elec stage Last Desire tragedy in one act, for three voices, viola and live electronics, 50 mn, Rai Trade
- 2003
- elec Il sonno di Atys for viola and live electronics, 20 mn, Rai Trade
- Talia for set, 8 mn, Rai Trade
- 2002
- elec stage Amore one-act musical theater, for female voice, viola and live electronics, 25 mn, Rai Trade
- Déclive-Étude lullaby for orchestra, 15 mn, Rai Trade
- Hombre de mucha gravedad dramaturgy on Las meninas by Velasquez for vocal quartet and string quartet, 15 mn, Durand
- stage Melonomanie Predizioni vocali , dramaturgy for reciting voice and vocal trio, 15 mn, Rai Trade
- 2001
- Geographisches Heft Studio da Adolf Wölfli, for ensemble, 15 mn, Durand
- elec stage L’ape apatica concerto game for children's voice, soprano, trombone, two percussionists, children's choir and electronics, 30 mn, Rai Trade
- elec Quaderno gotico for orchestra, 15 mn, Durand
- 2000
- elec BendelSchlemihl Strasse Opern for recorded voices, accordion and live electronics, 22 mn, Durand
- Les propos de Shitao for voice and ensemble, 12 mn, Durand
- 1999
- Anatra al sal Comedia harmonica, dramaturgy for six voices, 8 mn 36 s, Durand
- Schiffbruch mit Zuschauer Studio da Hans Blumenberg , for orchestra, 12 mn, Durand
- 1998
- elec Rivelazione radio play, 25 mn
- 1997
- elec ircam Ircam cursus Eluvion-Etude for viola, real-time electronic device and interactive shots, 7 mn, Ricordi [program note]
- 1996
- Anakyklosis for instrumental ensemble, 8 mn, Lemoine
- Bassa marea Lied for voice and harp
- 1995
- Die Sorge geht über den Fluss Studio da Hans Blumenberg, for flute, clarinet and orchestra, 15 mn, Lemoine
- elec stage Le tentazioni di Girolamo musical theater for narrator, soprano, harp, double bass, tape and live electronics, 50 mn, Edi-Pan
- 1994
- Die Nase Puppen play, for clarinet, cello and piano, 30 mn, Ricordi
- Krise eines Engels study after Paul Klee, for flute, clarinet, violin and piano, 8 mn, Lemoine
- Mehr Vogel als Engels for solo double bass, 10 mn, Lemoine
- Zohrn Studio da Adolf Wölfli , for ensemble, 13 mn, Lemoine
- 1993
- elec L'Alibi del Labirinto radio play, 2 h
- Tremblements de tendresse for set, 8 mn, Ricordi
- 1992
- Animalie Rapsodia for reader, voices and ensemble, Ricordi
- 1988
- Il Teatro Naturale di Oklahoma for ensemble, 15 mn, Lemoine
- 1987
- elec Astolfo sulla luna radio play, 25 mn
- 1984
- Studi profondi for solo viola, 8 mn, Rai Trade
- 1982
- Requiem for solo viola, 15 mn, Rai Trade
- 1980
- Ballade des pendus for voice and ensemble
Discographie
- Lucia RONCHETTI, « Drammaturgie » : Pinocchio, una storia parallela ; Hombre de mucha gravedad ; Hamlet’s Mill, Neue Vocalsolisten Stuttgart, Quatuor Arditti, 1 cd Kairos 2012, 0013232KAI.
- Lucia RONCHETTI, « Lezioni di Tenebra », Katia Guedes : soprano, Daniel Gloger : contre-ténor, Vocalconsort Berlin, Jens Schubbe, PMCE (Parco della Musica Contemporanea Ensemble), direction : Tonino Battista, 1 cd Parco della Musica Records, 2012, enregistrement live.
- Lucia RONCHETTI, « Xylocopa violacea » : Xylocopa violacea; Il sonno di Atys ; Interlude I for tape;Studi profondi;Interlude II for tape;Last desire cadenza, Barbara Mauer : alto, Reinhold Braig : électroniquelive, 1 cd Stradivarius, 2011, STR 33869.
- Lucia RONCHETTI, Anatra al sal, dans « Alles Theater », Neue Vocalsolisten Stuttgart, avec des œuvres de Georges Aperghis, Manuel Hidalgo, Luciano Berio, Paolo Perazzani, Carola Beauckholt, 1 cd Stradivarius, 2004, STR 33680.
- Lucia RONCHETTI, « Portrait » : Schriffbruch mit Zuschauer ; Pinocchio, una storia parallela ; Il sonno di Ays, Reinhold Braig : électronique live, Andreas Fischer : basson, Barbara Mauer : alto, Martin Nagy : ténor, Daniel Gloger : contre-ténor, Guillermo Anzorena : baryton, Neue Vocalsolisten Stuttgart, Rundfunk-Sinfonieorchester, direction : Roland Kluttig, 1 cd Stradivarius, 2007, STR 33772.
- Lucia RONCHETTI, Talia, dans « Italian news, Freon Ensemble », Keiko Orikawa : voix, Ensemble Freon, direction : Stefano Cardi, avec des œuvres de Vito Palumbo, francesco Antonioni, Carla Magnan et Carla Rebora, Mauro Cardi, Fabrizio De Rossi Re, 1 cd Rai Trade edizioni, 2006, RTE 012 RTC.
Bibliographie
Voir la liste complète sur le site de Lucia Ronchetti, http://www.luciaronchetti.com/en/text-by-and-on-lucia-ronchetti-interviews-in-english-italian-french-and-german/p6-98
- Guido BARBIERI, « Ask the Darkness: a prologue to the opera / Chiedi alle tenebre: un prologo all’opera », livret du cd « Lezioni di Tenebra », 2012.
- Guido BARBIERI, « Zeremonielle Theatralität / Teatralità del cerimoniale », in Takte, février 2010, sur Prosopopeia).
- Sandro CAPPELLETTO, « Bizarre Poetik / Poetica del bizzarro », in Takte, février 2005.
- Mario GAMBA, « Lucia Ronchetti », in Manifesto, cd Xylocopa violacea, Stradivarius, 2011.
- Clemens HAUSTEIN, « Von den Verwirrungen der Liebe », in Berliner Zeitung, 26 février 2011, sur Lezioni di Tenebra.
- Alban Nikolai HERBST, « Die Dschungel. Anderswelt », sur albannikolaiherbst.twoday.net [sur Last Desire], 2011.
- Daniele MARTINO, « Girotondo contemporaneo », inIl Giornale della Musica, 4 février 2012 (sur Sei personaggi in cerca d’autore).
- Stefano NARDELLI, « La voce spezzata dei naufraghi d’Occidente », in** Il Giornale della Musica, avril 2007.
- Rainer PÖLLMANN, « Lucia Ronchetti, compostitrice errante », in Osservatorio Nuova musica, février 2011*.*
- Rainer PÖLLMANN, « Das Geheimnis der Lucia Ronchetti / The secret of Lucia Ronchetti / Il segreto di Lucia Ronchetti », catalogue Rai Trade, 2009.
- Lucia RONCHETTI, « The Hearing Subject », in Design of the (In-)Human, Akademie Schloss Solitude, 2010.
- Lucia RONCHETTI, « Studio di un labirinto acustico », in Enciclopedia delle Arti Contemporanee, Electa 2010 (sur la Wölfli-Kantatade Georges Aperghis).
- Lucia RONCHETTI, « Über die Linie », in Programmheft Maerzmusik, mars 2010 (sur On Der Sonne entgegen).
- Lucia RONCHETTI, « Nel ventre della città-cataclisma », in** Il Giornale della Musica, mai 2008 (sur Rumori da Monumenti).
- Lucia RONCHETTI, « Albertine, the sound of a verbal universe / Albertine, der Klang eines verbalen Universums », in *Programmheft Maerzmusik,*2008.
- Lucia RONCHETTI, « Last desire, A Tragedy in one Act », in Forum Neues Musiktheater, Staatsoper Stuttgart, 2005.
- Lucia RONCHETTI, « Zu Geographishes Heft », in Programmheft Wien Modern, 2001.
- Vincenzo SANTARCANGELO, « Lucia Ronchetti », in Rockerilla, sur le cd Xylocopa violacea, Stradivarius, 2011.
- Christian SCHÜTTE, « Spiel mit der Finsternisin », in Zeitschrift für Musiktheater und Oper, 29 mai 2011, [sur Lezioni di Tenebra].
- Rainer WAGNER, « Medeas folgenreiches Blind Date », in Hannoversche Allgemeine Zeitung, 31 mai 2011 (sur Lezioni di Tenebra).
- Doris WEBERBERGER, « Lucia Ronchetti : Drammaturgie », in Osterreichische Musikzeitschrift, vol. 68, Issue 1, 2013.
- Robin WILL, « Spectral baroque », in seatedovation.blogspot.com, mars 2011 [sur Lezioni di Tenebra].
Lien Internet
- Site de Lucia Ronchetti, http://www.luciaronchetti.com
(liens vérifiés en janvier 2018).