Daniele Ghisi
Italian composer born 30 June 1984 in Trescore Balneario.
Daniele Ghisi was born in Italy in 1984. He studied mathematics at the University of Milano-Bicocca until 2007. At the same time, beginning in 1997, he began studying composition at the Conservatorio Gaetano Donizetti di Bergamo with Alberto Colla and then with Stefano Gervasoni. In 2007, he graduated cum laude with a degree in composition.
Since 2004, he has studied on multiple occasions with Pierluigi Billone, Alessandro Solbiati, Azio Corghi, and Helmut Lachenmann. He has also attended the International Ensemble Modern Academy (IEMA) with George Benjamin in Frankfurt in 2005, and in 2006 participated in the Royaumont Voix Nouvelles composition session with Brian Ferneyhough, Michael Jarrell, and François Paris. He returned to Royaumont in 2008-2009 for the Transforme session.
In 2008-2009, he participated in Cursus I (IRCAM’s composition and computer music course). In 2009-2010, he was composer-in-residence at the Akademie der Künste in Berlin. In 2010-2011, he completed IRCAM’s Cursus II. In 2011-2012, he was a resident at the Casa de Velàzquez in Madrid. The following year, he returned to IRCAM for a research residency, and in 2013-2014, he worked as a research assistant at the Geneva University of Music. In 2017, he obtained his PhD in Composition and Music Research at Ircam/UPMC/Sorbonne. From 2017 to 2020, he teached Electroacoustic Composition at the Conservatory of Genova, and in 2020 was a researcher at CNMAT/University of California Berkeley.
He has received commissions from the Divertimento Ensemble for Le carte di Pólya (2007), De Selby Compendium (2010), and Itaca (2012), as well as from Royaumont for Alba (2006), the Archipel Festival for Verso Snàm-dà-én (2008), the French Ministry of Culture for iCi (2010) and Nostre (2014), Radio France for Come un lasciapassare (2015), and the IRCAM (co-commissioned with the Divertimento Ensemble) for An Experiment With Time (reloaded) (2015). His first opera, La notte poco prima della foresta premiered in September 2009 during the MITO September Music Festival in Milan. His final composition for Cursus II, abroad, premiered in 2011 in a performance by the Musikfabrik ensemble, conducted by Enno Poppe. In 2015, he collaborated with the director Daniel Janneteau on a performance installation titled Mon corps parle tout seul, created during the In vivo Théâtre workshop as part of IRCAM’s 2015 Académie Manisfeste. He participated again in the ManiFeste festival in 2020 with two creations, On that April morning she rose from her bed and called and the Musique-Fiction Naissance d’un pont, a device designed for the ambisonic dome, made up of 64 loudspeakers, on a text by Maylis de Kérangal.
Working with Andrea Agostini, he created a project titled “bach: automated composer’s helper,” a digital platform for computer-assisted composition, which garnered him the 2012 AFIM Young Researcher’s Prize and a Piccialli Prize. He is also co-founder of /nu/thing, a composers’ collective which runs the blog www.nuthing.eu, and whose members have collaborated with each other on the composition of a number of works.
Daniele Ghisi has received other awards and honors, as well: the Valentino Bucchi and Oreste Sindici prizes in 2002, the Rotary prize in 2004, the J.S. Mayr key, the Franco Donatoni International Composition Prize in 2008, the Edouardo Ocon prize in 2010, and a prize from the Fondation Coupleux-Lassalle for Nostre in 2013. His Danse Macabre was awarded the prize for best video installation at the Saint Petersburg Multivision Festival and the Prize Call4roBot at the Bologna roBot Festival.
In 2016, the Stradivarius label released an album devoted to his compositions titled Geografie, a compilation of several of his pieces performed by the Divertimento Ensemble and the soprano Laura Catrani.
Daniele Ghisi’s scores are published by Ricordi.
© Ircam-Centre Pompidou, 2018
Sources
Site de Daniele Ghisi.
- Solo (excluding voice)
- Third Study for piano (2005), 6 mn, Inédit
- Études juste après l’aube for solo cymbalum (2008), 12 mn, Inédit
- elec ircam Ircam cursus Comment pouvez-vous lire à présent ? Il fait nuit for alto saxophone and live electronics (2009, 2009), 10 mn
- Meccanica del quotidiano for piano (2013), 12 mn, Ricordi
- Der Rockenhausen Almanach for carillon (2020), 1 h 54 mn 30 s
- elec Weltliche for piano and electronics (2020), 19 mn, Ricordi
- Chamber music
- Verso Snàm-dà-én for oboe, cello and double bass (2008), 14 mn, Inédit
- Leider ohne Worte for violin, cello and piano (2009), 15 mn, Inédit
- elec Chansons for cello or viola, piano and electronics (2012), 11 mn
- Come di tempeste for string quartet (2013), 11 mn, Ricordi
- elec 269 steps away from you (269 steps away from me) for bass clarinet, violin, electronics and video (2016), 11 mn, Ricordi
- Thou art so like a flower • thou art so like a vortex for piccolo flute, soprano saxophone and piano (2019), 2 mn
- Instrumental ensemble music
- Per assurdo for ensemble (2004), 11 mn, Inédit
- Coriolis for chamber orchestra (2005)
- Le carte di Pólya for eleven instruments (2007), 13 mn, Inédit
- Concertino for fifteen musicians (2011), 11 mn, Ricordi
- elec Any Road for orchestra, electronics and video (2015), 10 mn, Ricordi
- elec Come un lasciapassare for orchestra and electronics (2015), 10 mn, Ricordi
- elec I mille fuochi dell’universo for ensemble and electronics (2017), 40 mn
- The Listeners for orchestra (2018), 8 mn, Ricordi
- Concertant music
- Concerto per fagotto e orchestra ‘del sangue, del mare’ for bassoon and orchestra (2004), 25 mn, Inédit
- De Selby Compendium for violin and ensemble (2010), 16 mn, Inédit
- elec Fathers for two trumpets, piano, ensemble and electronics (2020), 18 mn, Ricordi
- Vocal music and instrument(s)
- Cinque frammenti per l’agonia del bianco for female voice, clarinet, violin, cello and piano (2004), 10 mn, Inédit
- The Death’s Jests’ Book three Lieder for female voice and orchestra (2004), 15 mn, Inédit
- Per un secondo o un secolo for female voice and clarinet (2005), 10 mn
- Alba for female voice, cymbalum and accordion (2006), 12 mn
- elec Sei conversazioni inattuali for female voice, clarinet, live electronics ensemble (2006), 18 mn, Inédit
- Un’altr’isola scena lirica, for six voices and orchestra (2007), 20 mn, Inédit
- elec stage La notte poco prima della foresta chamber opera, for actor, mezzo-soprano, baritone, ensemble and electronics (2009), 55 mn, Inédit
- elec ircam Ircam cursus abroad seven lieder after Pessoa, for voice, ensemble and electronics (2011), 28 mn, Ricordi [program note]
- Heran, dran, an for soprano and ensemble (2011), 3 mn
- If your Majesty will only tell me the right way to begin for two narrators and orchestra (2012), 14 mn, Ricordi
- elec Itaca for piano, three groups of children, ensemble and electronics (2012), 20 mn about
- Próxima for soprano and ensemble (2012), 12 mn, Ricordi
- elec ircam On that April morning she rose from her bed and called for female voice, ensemble and electronics (2020), 25 mn, Ricordi [program note]
- elec Black rain for voice, ensemble and electronics (2021), 12 mn, Ricordi
- A cappella vocal music
- elec Nostre for 8 voices and electronics (2013-2014), 25 mn, Ricordi
- elec ircam stage La Fabrique des monstres ou Démesure pour mesure music for the play by Jean-François Peyret (2018), 2 h 15 mn [program note]
- Electronic music / fixed media / mechanical musical instruments
- elec stage Ecume for three dancers, electronic and video, on a choreography by Annabel Guérédrat (2009-2010), 20 mn, Inédit
- elec iCi (2010), 22 mn, Inédit
- elec Danse Macabre for electronics (2013), 16 mn 9 s
- elec Visioni for 23 speakers (2013), between 25 mn and 48 mn
- elec ircam An Experiment With Time sound and video installation (2015)
- elec ircam stage Mon corps parle tout seul installation-performance (2015), 11 mn [program note]
- elec Orogenesis for electronics and video (2016), 8 mn
- elec La Chute electronic music for Boris Labbé's film (2018), 14 mn
- elec This is the game for voice and live electronics (2018), 30 mn, Ricordi
- elec Monade five-channel video installation, 9.1 surround sound (2020), 17 mn
- elec ircam Naissance d’un pont electronic music (2020), 2 h 12 mn [program note]
- elec ircam Were You There at the Beginning (/nu/thing x ExperiensS) electronic music (2022), 29 mn
- Unspecified instrumentation
- elec ircam An Experiment With Time (reloaded) for flute, clarinet, piano, violin, viola, cello, electronics and video (2014-2016), 48 mn, Ricordi
- elec ircam stage BUG body quartet (2017, 2017), 1 h 10 mn [program note]
- 2022
- elec ircam Were You There at the Beginning (/nu/thing x ExperiensS) electronic music, 29 mn
- 2021
- elec Black rain for voice, ensemble and electronics, 12 mn, Ricordi
- 2020
- Der Rockenhausen Almanach for carillon, 1 h 54 mn 30 s
- elec Fathers for two trumpets, piano, ensemble and electronics, 18 mn, Ricordi
- elec Monade five-channel video installation, 9.1 surround sound, 17 mn
- elec ircam Naissance d’un pont electronic music, 2 h 12 mn [program note]
- elec ircam On that April morning she rose from her bed and called for female voice, ensemble and electronics, 25 mn, Ricordi [program note]
- elec Weltliche for piano and electronics, 19 mn, Ricordi
- 2019
- Thou art so like a flower • thou art so like a vortex for piccolo flute, soprano saxophone and piano, 2 mn
- 2018
- elec La Chute electronic music for Boris Labbé's film, 14 mn
- elec ircam stage La Fabrique des monstres ou Démesure pour mesure music for the play by Jean-François Peyret, 2 h 15 mn [program note]
- The Listeners for orchestra, 8 mn, Ricordi
- elec This is the game for voice and live electronics, 30 mn, Ricordi
- 2017
- elec ircam stage BUG body quartet, 1 h 10 mn [program note]
- elec I mille fuochi dell’universo for ensemble and electronics, 40 mn
- 2016
- elec 269 steps away from you (269 steps away from me) for bass clarinet, violin, electronics and video, 11 mn, Ricordi
- elec ircam An Experiment With Time (reloaded) for flute, clarinet, piano, violin, viola, cello, electronics and video, 48 mn, Ricordi
- elec Orogenesis for electronics and video, 8 mn
- 2015
- elec ircam An Experiment With Time sound and video installation
- elec Any Road for orchestra, electronics and video, 10 mn, Ricordi
- elec Come un lasciapassare for orchestra and electronics, 10 mn, Ricordi
- elec ircam stage Mon corps parle tout seul installation-performance, 11 mn [program note]
- 2014
- elec Nostre for 8 voices and electronics, 25 mn, Ricordi
- 2013
- Come di tempeste for string quartet, 11 mn, Ricordi
- elec Danse Macabre for electronics, 16 mn 9 s
- Meccanica del quotidiano for piano, 12 mn, Ricordi
- elec Visioni for 23 speakers, between 25 mn and 48 mn
- 2012
- elec Chansons for cello or viola, piano and electronics, 11 mn
- If your Majesty will only tell me the right way to begin for two narrators and orchestra, 14 mn, Ricordi
- elec Itaca for piano, three groups of children, ensemble and electronics, 20 mn about
- Próxima for soprano and ensemble, 12 mn, Ricordi
- 2011
- Concertino for fifteen musicians, 11 mn, Ricordi
- Heran, dran, an for soprano and ensemble, 3 mn
- elec ircam Ircam cursus abroad seven lieder after Pessoa, for voice, ensemble and electronics, 28 mn, Ricordi [program note]
- 2010
- De Selby Compendium for violin and ensemble, 16 mn, Inédit
- elec stage Ecume for three dancers, electronic and video, on a choreography by Annabel Guérédrat, 20 mn, Inédit
- elec iCi, 22 mn, Inédit
- 2009
- elec ircam Ircam cursus Comment pouvez-vous lire à présent ? Il fait nuit for alto saxophone and live electronics, 10 mn
- elec stage La notte poco prima della foresta chamber opera, for actor, mezzo-soprano, baritone, ensemble and electronics, 55 mn, Inédit
- Leider ohne Worte for violin, cello and piano, 15 mn, Inédit
- 2008
- Verso Snàm-dà-én for oboe, cello and double bass, 14 mn, Inédit
- Études juste après l’aube for solo cymbalum, 12 mn, Inédit
- 2007
- Le carte di Pólya for eleven instruments, 13 mn, Inédit
- Un’altr’isola scena lirica, for six voices and orchestra, 20 mn, Inédit
- 2006
- Alba for female voice, cymbalum and accordion, 12 mn
- elec Sei conversazioni inattuali for female voice, clarinet, live electronics ensemble, 18 mn, Inédit
- 2005
- Coriolis for chamber orchestra
- Per un secondo o un secolo for female voice and clarinet, 10 mn
- Third Study for piano, 6 mn, Inédit
- 2004
- Cinque frammenti per l’agonia del bianco for female voice, clarinet, violin, cello and piano, 10 mn, Inédit
- Concerto per fagotto e orchestra ‘del sangue, del mare’ for bassoon and orchestra, 25 mn, Inédit
- Per assurdo for ensemble, 11 mn, Inédit
- The Death’s Jests’ Book three Lieder for female voice and orchestra, 15 mn, Inédit
Documents
- Enseigner aux monstres : entretien avec Jean-François Peyret, Daniele Ghisi et Philippe Esling par Jérémie Szpirglas, Sept. 6, 2018
- À propos de Frankenstein ou le Prométhée moderne de Mary Shelley par Éric Vautrin, Sept. 11, 2018
Liens Internet
- Site personnel du compositeur : www.danieleghisi.com
- Site de l’éditeur : www.ricordi.it
- Site du projet bach: automated composer’s helper : www.bachproject.net
- Blog du collectif /nu/thing : www.nuthing.eu
- Séminaire sur le ryhtme et le temps présenté par Daniele Ghisi et Andrea Agostini, le 13 novembre 2019.
(liens vérifiés en mars 2022).
Bibliographie sélective
- Daniele GHISI, Any Road, entretien avec Jean-Christophe Montrency, Accents, le Webmag de l’Ensemble intercontemporain, décembre 2017.
- Daniele GHISI, Music Across Music : Towards a Corpus-Based, Interactive Computer-Aided Composition, Thèse de doctorat de Philosophie, spécialité Music Research and Composition, sous la direction de Carlos Augusto Agon Adamo, Université Pierre et Marie Curie, Université Paris-Sorbonne, Sorbonne Universités : École doctorale Informatique, Télécommunications et Électronique, Ircam - UMR STMS 9912, 2017, 190 p.
La liste complète des publications de Daniele Ghisi est consultable sur son site.
Discographie
- Daniele GHISI, Proxima ; iCi ; Abroad ; Concertino, Laura Catrani, soprano ; Divertimento Ensemble ; Sandro Gorli, direction, dans « Geografie » 1 cd Stradivarius, 2016, STR37053.