Christopher Trapani
American composer born 17 March 1980 in New Orleans.
Christopher Trapani graduated from Harvard University in 2002, having studied composition with Bernard Rands and poetry with Helen Vendler. He went on to receive a Frank Knox Memorial Grant to undertake further study with Julian Anderson at the Royal College of Music in London, graduating with a Master’s degree. In 2003, he moved to the Cité des Arts in Paris for further study with Philippe Leroux. He also participated in numerous summer workshops, namely, Fontainebleau (2002), Royaumont (2004), Centre Acanthes (2005 and 2009) and Domaine Forget (2006). After a year in Istanbul studying the use of microtonality in classical Ottoman music as a Fulbright scholar, he returned to Paris to attend the two years of the IRCAM Cursus (IRCAM’s composition and computer music course). In September 2010, he moved to New York, where he earned a Doctorate of Musical Arts at Columbia University under the supervision of Tristan Murail, Georg Friedrich Haas, George Lewis, and Fred Lerdahl. In 2012, he undertook a research residency at IRCAM, followed by artistic residencies at Recollets (Paris, 2013), Schloss Solitude (Stuttgart, 2014-2015), and the Camargo Foundation (Cassis, 2018). In 2016-2017, he was a resident at the American Academy in Rome.
Trapani’s works have been performed by ensembles such as Nouvel Ensemble Moderne, Nieuw Ensemble, Asko, Argento, Cairn, Itinéraire and dal niente. In March 2011, a portrait concert of his works was given at Royal Festival Hall in the London Philharmonic Orchestra’s Music of Today series. In 2012, as part of the Grame Forum Jeune Création, he was awarded a commission for a new work, premiered at the Ultraschall Festival and subsequently performed at the Musiques en Scène Biennale in Lyon. A CD dedicated to his works, Waterlines, was produced in 2018 by New Focus Recordings.
Trapani has received numerous accolades, including the Gaudeamus Prize in 2007 for Sparrow Episodes, the ASCAP Leo Kaplan Prize in 2009 for Üsküdar, and the Julius F. Ježek Composition Prize in 2013.
© Ircam-Centre Pompidou, 2013
- Solo (excluding voice)
- Piano Sonata for solo piano (2000), 28 mn, Inédit
- The Silence of a Falling Star Lights Up a Purple Sky for solo piano (2005), 4 mn 30 s, Inédit
- elec Really Coming Down for guitar and live electronics (2007), 10 mn 30 s, Inédit
- elec Dance Etude for mandolin, live electronic device and live video (2009), 7 mn, Inédit
- elec ircam Ircam cursus Recession for accordion and live electronics (2009), 10 mn, Inédit
- elec Horizontal Drift for quarter-tone guitar and electronics (2016), 10 mn
- Lost Time Triptych for piano cordatura (2016), 7 mn
- elec Single Coil study for electric guitar and delay pedal (2018)
- elec Tesseræ for viola d'amore and electronics (2017-2018), 15 mn
- Chamber music
- Different Moons sonata for clarinet and piano (1999), 30 mn, Inédit
- Quodlibet with Variations for cello and piano (1999), 11 mn, Inédit
- History by Moonlight for violin, clarinet and piano (2002), 15 mn 30 s, Inédit
- Sunflower Suite for six instruments (2003), 15 mn, Inédit
- Blues Wrapped Around My Head for three clarinets in B flat and bass clarinet (2004), 9 mn 15 s, Inédit
- Half of Me is Ocean, Half of Me is Sky Sea Surface Full of Clouds, for seven instruments (2003-2004), 12 mn, Inédit
- -n't go any further for five instruments (2007), 10 mn 30 s, Inédit
- Three Rain Variations educational piece for ensemble (2007), 3 mn, Inédit
- Don't know what alright even means for six instruments (2009), 8 mn 20 s, Inédit
- Leaving Lute for flute, viola and harp (2011), 7 mn
- Passing Through, Staying Put for violin, cello and piano (2011), 6 mn
- elec Five Out of Six for six instruments, electronics and live video (2012), 5 mn
- Visions and Revisions for string quartet (2013), 11 mn 30 s
- elec Writing Against Time for two pianists, two percussionists and electronics (2014), 20 mn 40 s
- Alcohol and Algebra for two folk guitars (2015), 11 mn
- elec Isolario: Book of Known Islands (Book I) for string quartet and electronics (2015), 18 mn 30 s
- elec Shotgun Shoegaze for four electric and electronic guitars (2017), 13 mn 40 s
- Instrumental ensemble music
- History by Moonlight for orchestra (2003), 15 mn, Inédit
- North for orchestra (2002-2003), 6 mn 20 s, Inédit [program note]
- Sing Into My Mouth for ensemble (2005), 6 mn 30 s, Inédit
- Sparrow Episodes for ensemble (2006), 8 mn 30 s, Inédit
- Üsküdar for ensemble (2008), 16 mn, Inédit
- The Geography of Cities on Water for large orchestra (2009), 7 mn 29 s, Inédit
- Anyplace Else for ten instrumentalists (2012), 12 mn
- elec Widening Circles for eight instrumentalists and electronics (2012), 15 mn
- elec Convergence Lines for ten instrumentalists and live electronics (2013), 24 mn
- elec Difficult Places for twenty-three instrumentalists and live electronics (2015), 18 mn 30 s
- Rust and Stardust for orchestra (2015), 11 mn
- elec ircam Spinning in Infinity for orchestra and electronics (2014-2015), 15 mn
- PolychROME for ten instrumentalists (2017), 14 mn
- elec Creux for twelve instrumentalists and live electronics (2018), 10 mn
- Stellazione for ten instrumentalists (2018), 6 mn 30 s
- Concertant music
- Canaries in the Morning, Balloons at Night for large ensemble with four solo violins (2004), 9 mn 30 s, Inédit [program note]
- elec ircam Ircam cursus Cognitive Consonance for solo qanûn, solo hexaphonic electric guitar, ensemble and electronic device (2009-2010), 23 mn, Inédit [program note]
- elec Westering for solo hexaphonic electric guitar and chamber orchestra (2010), 15 mn, Inédit
- Vocal music and instrument(s)
- Evening: Five Songs by Anna Akhmatova for soprano, piano and string trio (1998), 16 mn 30 s, Inédit
- Lines Written for Gene Kelly to Dance to for soprano and piano (1999), 6 mn, Inédit
- The Botticellian Trees for baritone and piano (2001), 16 mn, Inédit
- Songs from the Plays, Book I for mixed choir and two pianos (2002), 30 mn, Inédit
- Songs from the Plays, Book I for four voices and chamber orchestra (2002), 15 mn, Inédit
- Past All Deceiving: Cavafy Songs for soprano and seven instruments (2012), 17 mn
- elec Waterlines for mezzo-soprano, guitar, seven instruments and electronics (2012), 23 mn
- elec Two Folksong Distortions arrangements for voice, violin (with loop pedal) and guitar (with loop sculptor) (2015), 11 mn
- A cappella vocal music
- The sea is awash with roses for male choir a cappella (2000), 3 mn 30 s, Inédit
- O now the drenched land wakes for double choir a cappella (2006), 5 mn 20 s, Inédit
- elec End Worlds for six voices and electronics (2017), 18 mn 30 s
- Electronic music / fixed media / mechanical musical instruments
- elec Forty-nine, Forty-nine for Fokker MIDI organ (2011), 5 mn
- 2018
- elec Creux for twelve instrumentalists and live electronics, 10 mn
- elec Single Coil study for electric guitar and delay pedal
- Stellazione for ten instrumentalists, 6 mn 30 s
- elec Tesseræ for viola d'amore and electronics, 15 mn
- 2017
- elec End Worlds for six voices and electronics, 18 mn 30 s
- PolychROME for ten instrumentalists, 14 mn
- elec Shotgun Shoegaze for four electric and electronic guitars, 13 mn 40 s
- 2016
- elec Horizontal Drift for quarter-tone guitar and electronics, 10 mn
- Lost Time Triptych for piano cordatura, 7 mn
- 2015
- Alcohol and Algebra for two folk guitars, 11 mn
- elec Difficult Places for twenty-three instrumentalists and live electronics, 18 mn 30 s
- elec Isolario: Book of Known Islands (Book I) for string quartet and electronics, 18 mn 30 s
- Rust and Stardust for orchestra, 11 mn
- elec ircam Spinning in Infinity for orchestra and electronics, 15 mn
- elec Two Folksong Distortions arrangements for voice, violin (with loop pedal) and guitar (with loop sculptor), 11 mn
- 2014
- elec Writing Against Time for two pianists, two percussionists and electronics, 20 mn 40 s
- 2013
- elec Convergence Lines for ten instrumentalists and live electronics, 24 mn
- Visions and Revisions for string quartet, 11 mn 30 s
- 2012
- Anyplace Else for ten instrumentalists, 12 mn
- elec Five Out of Six for six instruments, electronics and live video, 5 mn
- Past All Deceiving: Cavafy Songs for soprano and seven instruments, 17 mn
- elec Waterlines for mezzo-soprano, guitar, seven instruments and electronics, 23 mn
- elec Widening Circles for eight instrumentalists and electronics, 15 mn
- 2011
- elec Forty-nine, Forty-nine for Fokker MIDI organ, 5 mn
- Leaving Lute for flute, viola and harp, 7 mn
- Passing Through, Staying Put for violin, cello and piano, 6 mn
- 2010
- elec ircam Ircam cursus Cognitive Consonance for solo qanûn, solo hexaphonic electric guitar, ensemble and electronic device, 23 mn, Inédit [program note]
- elec Westering for solo hexaphonic electric guitar and chamber orchestra, 15 mn, Inédit
- 2009
- elec Dance Etude for mandolin, live electronic device and live video, 7 mn, Inédit
- Don't know what alright even means for six instruments, 8 mn 20 s, Inédit
- elec ircam Ircam cursus Recession for accordion and live electronics, 10 mn, Inédit
- The Geography of Cities on Water for large orchestra, 7 mn 29 s, Inédit
- 2008
- Üsküdar for ensemble, 16 mn, Inédit
- 2007
- -n't go any further for five instruments, 10 mn 30 s, Inédit
- elec Really Coming Down for guitar and live electronics, 10 mn 30 s, Inédit
- Three Rain Variations educational piece for ensemble, 3 mn, Inédit
- 2006
- O now the drenched land wakes for double choir a cappella, 5 mn 20 s, Inédit
- Sparrow Episodes for ensemble, 8 mn 30 s, Inédit
- 2005
- Sing Into My Mouth for ensemble, 6 mn 30 s, Inédit
- The Silence of a Falling Star Lights Up a Purple Sky for solo piano, 4 mn 30 s, Inédit
- 2004
- Blues Wrapped Around My Head for three clarinets in B flat and bass clarinet, 9 mn 15 s, Inédit
- Canaries in the Morning, Balloons at Night for large ensemble with four solo violins, 9 mn 30 s, Inédit [program note]
- Half of Me is Ocean, Half of Me is Sky Sea Surface Full of Clouds, for seven instruments, 12 mn, Inédit
- 2003
- History by Moonlight for orchestra, 15 mn, Inédit
- North for orchestra, 6 mn 20 s, Inédit [program note]
- Sunflower Suite for six instruments, 15 mn, Inédit
- 2002
- History by Moonlight for violin, clarinet and piano, 15 mn 30 s, Inédit
- Songs from the Plays, Book I for mixed choir and two pianos, 30 mn, Inédit
- Songs from the Plays, Book I for four voices and chamber orchestra, 15 mn, Inédit
- 2001
- The Botticellian Trees for baritone and piano, 16 mn, Inédit
- 2000
- Piano Sonata for solo piano, 28 mn, Inédit
- The sea is awash with roses for male choir a cappella, 3 mn 30 s, Inédit
- 1999
- Different Moons sonata for clarinet and piano, 30 mn, Inédit
- Lines Written for Gene Kelly to Dance to for soprano and piano, 6 mn, Inédit
- Quodlibet with Variations for cello and piano, 11 mn, Inédit
- 1998
- Evening: Five Songs by Anna Akhmatova for soprano, piano and string trio, 16 mn 30 s, Inédit
Liens Internet
- Site personnel du compositeur, www.christophertrapani.com
- SoundCloud : https://soundcloud.com/christophertrapani
- « Christopher Trapani, compositeur présente son travail de résidence à l’Ircam », conférence du séminaire Recherche & Création du 25 mars 2013 à l’Ircam : https://medias.ircam.fr/x2ed7f6_christopher-trapani-compositeur-presente
- « Christoper Trapani : Spinning in infinity », conférence du séminaire Recherche & Création du 17 octobre 2016 à l’Ircam : https://medias.ircam.fr/x6abbaf
- « Bits-makers : rencontre avec Christopher Trapani », vidéo Ircam : https://www.youtube.com/watch?v=AqgfV35lTNE
(liens vérifiés en juin 2019).
Discographie
- Christopher TRAPANI, Can’t Feel at Home ; Wild Water Blues ; Poor Boy Blues ; Devil Sent The Rain Blues ; Falling Rain Blues ; Passing Through, Staying Put ; Visions and Revisions ; The Silence of a Falling Star Lights Up a Purple Sky ; Cognitive Consonance, dans « Waterlines », 1 CD New Focus Recordings, 2018, fcr200.
- Christopher TRAPANI, Passing Through, Staying Put, ensemble Longleash, dans « Passage », 1 CD New Focus Recordings, 2017, fcr180.
- Christopher TRAPANI, Alcohol and Algebra, duo Oh Mensch, dans « Microtonal Music For 2 Guitars », 1 CD Seminal Records, 2017, SR#051.
- Christopher TRAPANI, Really coming down, Kobe Van Cauwenberghe, guitare, dans « Give My Regards to 116th Street », 2015.
Bibliographie
- Christopher TRAPANI, « Sketching, synthesis, spatialisation : the integrated workflow of Cognitive Consonance », dans The OM Composer’s Book (éd. Jean Bresson, Carlos Agon, Gérard Assayag), Paris, Delatour/Ircam-Centre Pompidou, 2016, p. 205-219.