Kaija Saariaho (1952)
Opéra en cinq actes
- Informations générales
Date de composition :
- Durée : 1 h 45 mn
- Éditeur : Chester Music
- Commande: Festival International d'Art Lyrique d'Aix-en-Provence ; Royal Opera House Covent Garden ; Finnish National Opera ; San Francisco Opera ; Dutch National Opera
Livret (détail, auteur) :
Sofi Oksanen, traduit par Aleksi Barrière.
GRABOCZ, Martha, « La musique contemporaine finlandaise : conception gestuelle de la macrostucture / Saariaho et Lindberg », Cahiers du CIREM, Musique et geste, n ° 26-27, décembre 1992-mars 1993, p. 158. ↩↩
BATTIER, Marc, NOUNO, Gilbert, « L'électronique dans l'opéra de Kaija Saariaho, L'Amour de loin », in Carlos AGON, Gérard ASSAYAG, Jean BRESSON, The OM Composer's Book, coll. Musique et sciences, Ircam, Centre Georges-Pompidou, 2006, p. 21-30. ↩↩
Il nous semble important de faire une distinction entre le Réalisateur en Informatique Musicale (RIM) qui contribue à la confection de la partie électronique d’une œuvre et le Musicien en charge de l’Électronique Live (MEL) qui n’a pas nécessairement participé à l’élaboration de cette partie électronique mais qui doit s’assurer de sa mise à jour et de son bon fonctionnement lors d’une performance (lire à ce sujet Plessas et Boutard, 2015). ↩↩↩
Par convention, l’harmonique 1 (fréquence f0) correspond à la fondamentale du spectre. Pour un spectre harmonique, la fréquence de chaque composante spectrale vérifie la relation suivante: fn = n x f0. ↩↩↩
- Date de composition : 2018
- Musique vocale et instrument(s) [Musique vocale et instrument(s)]
- solistes : 2 sopranos, mezzo-soprano, ténor, 2 barytons, voix de femme non précisée, 5 voix chantées [comédiens] , voix de femme non précisée [Sprechgesang]
- chœur mixte(voix chantée [SATB])
- 3 flûtes piccolos [aussi 2 flûtes alto] , 3 hautbois, 3 clarinettes basses, 3 contrebassons, 4 cors, 2 trompettes, 3 trombones, tuba, timbales, 4 percussionnistes, harpe, piano, célesta, 14 violons, 12 violons II, 10 altos, 8 violoncelles, contrebasse
Information sur la création
An opera in five acts to be presented without interval. The main singing language is English and additional languages are Finnish, Czech, French, Romanian, Swedish, German, Spannish, Greek.
The opera takes place on a summer evening, in the 2000s, in Helsinki.
There has been a shooting at an international school in Helsinki: ten students and one teacher have been killed. A student of the school shot them with a weapon he stole from his father’s cupboard. Because he was underage at the moment of the deed, he didn’t face criminal charges, but was handled by Child protection and then processed to psychiatric care.
Ten years later, the shooter’s younger brother is getting married with a woman he met in Romania. The bride doesn’t know about the past events. This younger brother wanted to marry someone who wouldn’t see him first and foremost as the shooter’s brother. The family has decided it would be better to hide the shooter-brother’s existence from the bride.
One of the waiters of the company supposed to organize the wedding’s catering has fallen ill, and a waitress called as a replacement happens to be the mother of one of the shooting’s victims. It is only upon arrival that she understands to who’s wedding she has been sent, and she is even more shocked when she understands from an overheard conversation that the shooter has recently been released and has started a new life under a new identity. He has not been invited to the wedding, though, because the bridegroom doesn’t want to see his brother ever again.
This is too much for the waitress. As she is serving the wedding cake, she snaps, and demands explanations for the shooter’s actions from his parents. The waitress’s unforeseen behaviour forces the family to tell about the tragedy to the bride. Her reaction is not the one they had expected: she is ready to forgive the lies she has been told, because it is her fiancé she fell in love with, not his family.
Nevertheless the groom leaves his wife. This fortuitous encounter has revealed to him that he is unable to escape from his past and his family, even though he has been trying so very hard to do so.
The groom considers himself responsible for the tragedy. He knew his brother was secretly practising shooting and even took part in those sessions. He did so, because he admired his elder brother and craved for his validation. To him it was a game, but had he told someone about it, the tragedy could have been avoided. He has kept this secret for himself all this time.
The story is not centred on the shooter’s motivations and psyche, but rather on the victims and on how the rampage has impacted their lives. The plot brings to light people who have been influential to the deed, and none of them is innocent.
Waitress (Tereza) - Mezzo
Mother-in-law (Patricia) - Coloratura soprano
Father-in-law (Henrik) - Baritone
Bride (Stela) - Lyric Soprano
Groom (Tuomas) - Tenor
Priest - Bass Baritone
Teacher - Female voice (Sprechgesang)
Student 1 (Marketa) - Young folk singer
Student 2 (Lily) - Female voice
Student 3 - Female voice
Student 4 - Male voice
Student 5 (Jeronimo) - Male voice
Student 6 - Female voice